Max Stafford-Clark

Maxwell Robert Guthrie Stewart ('Max') Stafford-Clark (born 17 March 1941) is an English theatre director.

Stafford-Clark was educated at Felsted and Riverdale Country School in New York City. He has worked as a theatre director since he left Trinity College, Dublin. He was at Trinity at the same time as Terence Brady, Ralph Bates and Roger Ordish, who all went on to successful careers in acting and/or theatre production. He was also a near contemporary of the poet Michael Longley, whose work he read as a student.

His directing career began as associate director of the Traverse Theatre, Edinburgh, in 1966. He became artistic director there from 1968–70. He was director of the Traverse Theatre Workshop Company from 1970 to 1974.

Stafford-Clark co-founded the in 1974. Joint Stock worked with writers using company research to inspire workshops. From these workshops, writers such as David Hare, Howard Brenton and Caryl Churchill would garner material to inspire a writing phase before rehearsals began. This methodology is sometimes referred to as The Joint Stock Method. Productions during this period included Hare's Fanshen (1975), Brenton's Epsom Downs and Churchill's Cloud Nine (1979) which Stafford-Clark directed, as well as The Speakers, which was the first promenade production in England.

From 1979 to 1993 he was Artistic Director of the Royal Court Theatre. He remains to date the Court's longest serving Artistic Director. In a difficult period for new writing, he helped nurture emerging playwrights such as Andrea Dunbar, Hanif Kureishi, Sarah Daniels and Jim Cartwright. His regular collaborators on his productions included the singer Ian Dury. During this time the theatre's productions included Victory by Howard Barker, The Arbor by Andrea Dunbar, Insignificance by Terry Johnson, Our Country's Good by Timberlake Wertenbaker and Rat in the Skull by Ron Hutchinson. Perhaps the most important commission and production of this era was Top Girls by Caryl Churchill (1982).

...
Wikipedia