Max Perkins
| Maxwell Perkins | |
|---|---|
Maxwell Perkins
|
|
| Born |
William Maxwell Evarts Perkins 20 September 1884 New York City, New York, United States |
| Died |
17 June 1947 (aged 62) Stamford, Connecticut |
| Cause of death | Pneumonia |
| Nationality | American |
| Alma mater | Harvard University |
| Occupation | Book editor |
| Employer | Scribner's |
| Spouse(s) | Louise Saunders (m. 1910) |
| Children | 5 daughters |
| Parent(s) | Elizabeth Evarts Perkins Edward Clifford Perkins |
William Maxwell Evarts "Max" Perkins (20 September 1884 – 17 June 1947), was an American book editor, best remembered for discovering authors Ernest Hemingway, F. Scott Fitzgerald and Thomas Wolfe.
Perkins was born on 20 September 1884, in New York City, to Elizabeth (Evarts) Perkins, a daughter of William M. Evarts, and Edward Clifford Perkins, a lawyer. He grew up in Plainfield, New Jersey, attended St. Paul's School in Concord, New Hampshire and then graduated from Harvard College in 1907. Although an economics major in college, Perkins also studied under Charles Townsend Copeland, a literature professor who helped prepare Perkins for his career.
After working as a reporter for The New York Times, Perkins joined the publishing house of Charles Scribner's Sons in 1910. At that time, Scribner's was known for publishing older authors such as John Galsworthy, Henry James, and Edith Wharton. However, Perkins wished to publish younger writers. Unlike most editors, he actively sought out promising new artists; he made his first big find in 1919 when he signed F. Scott Fitzgerald. Initially, no one at Scribner's except Perkins had liked The Romantic Egotist, the working title of Fitzgerald's first novel, and it was rejected. Even so, Perkins worked with Fitzgerald to revise the manuscript until it was accepted by the publishing house.
Its publication as This Side of Paradise (1920) marked the arrival of a new literary generation that would always be associated with Perkins. Fitzgerald's profligacy and alcoholism strained his relationship with Perkins. Nonetheless, Perkins remained Fitzgerald's friend to the end of Fitzgerald's short life, in addition to his editorial relationship with the author, particularly evidenced in The Great Gatsby (1925), which benefited substantially from Perkins' criticism.
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