Max Bennett (musician)
| Max Bennett | |
|---|---|
Bennett in San Francisco, 1976.
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| Background information | |
| Born |
May 24, 1928 Des Moines, Iowa, U.S. |
| Genres | Jazz |
| Occupation(s) | Session musician |
| Instruments | Bass guitar |
| Years active | 1949–present |
| Associated acts | L.A. Express |
| Website | maxbennett |
Max Bennett (born May 24, 1928) is an American jazz bassist and session musician.
Bennett grew up in Kansas City and Oskaloosa, Iowa, and went to college in Iowa. His first professional gig was with Herbie Fields in 1949, and following this he played with Georgie Auld, Terry Gibbs, and Charlie Ventura. He served in the Army during the Korean War from 1951 to 1953, and then played with Stan Kenton before moving to Los Angeles. There he played regularly at the Lighthouse Cafe with his own ensemble, and played behind such vocalists as Peggy Lee, Ella Fitzgerald, Joni Mitchell and Joan Baez through the 1970s. He also recorded with Charlie Mariano, Conte Candoli, Bob Cooper, Bill Holman, Stan Levey, Lou Levy, Coleman Hawkins and Jack Montrose.
Bennett recorded under his own name from the late 1950s, and did extensive work as a composer and studio musician in addition to jazz playing. He played bass on many records by The Monkees and The Partridge Family, and was one of the musicians Frank Zappa used for the Hot Rats project. He also played on later Zappa albums such as Chunga's Revenge. His studio work also included bass on the Lalo Schifrin soundtrack to the 1969 film Bullitt as well as Greatest Science Fiction Hits Volumes 1-3 with Neil Norman & His Cosmic Orchestra.
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