Maurice Yvain
| Maurice Yvain | |
|---|---|
| Born |
12 February 1891 Paris, France |
| Died | 27 July 1965 (aged 74) Neuilly-sur-Seine, France |
Maurice Yvain (12 February 1891 – 27 July 1965) was a French composer, noted for his operettas of the 1920s and 1930s, some of which were written for Mistinguett, at one time the best-paid female entertainer in the world. In the 1930s and 1940s he became a major success in the United States and several of his pieces appeared in the famous Ziegfeld Follies on Broadway. He also composed music for several films of notable directors such as Anatole Litvak, Julien Duvivier and Henri-Georges Clouzot and his music blended with the then "spirit of Paris".
Maurice Yvain was born in 1891 into a musical family in Paris. He was educated by his father, who played the trumpet in the Orchestre de l'Opéra-Comique. From 1903, he studied at the Conservatoire de Paris where he was a pupil of Louis Diemer and Xavier Leroux. An excellent pianist, he first played as an accompanying pianist at the Casino d'Évian. He went on to play with the orchestra at the Casino de Monte Carlo and in the Parisien Cabaret des Quat'z'Arts.
After military service from 1912 to 1919, he returned to Paris where he started to compose songs for light music, operettas, musicals, for films such as Vincent Scotto and Henri Christiné. One of his early successes was "Dansez-vous le foxtrot" in 1919. Maurice Chevalier, whom he had met in the army, introduced him to Albert Willemetz and to the popular Mistinguett who sang one of his best-known songs "Mon Homme" ("My Man") (1920). In 1968, it was sung by Barbra Streisand in the film Funny Girl. He composed several other pieces for Mistinguett, including "En douce" (1920), "La Java" (1922), "J'en ai marre" (1922) and "La Belote" (1925). In the 1920s, he began to compose operettas, 18 in all; his satirical “Ta Bouche” (Your Mouth, 1922) of 1922 was a particular success. The sequels which followed were the "Pas sur la Bouche" (Not on the Mouth, 1925) and the "Bouche a Bouche" (Mouth to Mouth, 1925) and both further established the musical virtuosity of Yvain; the former song rendered by Regine Flory made her also a celebrity. Thereafter, he also wrote great sentimental operettas such as "Chanson gitane" ("Gypsy Song"), many of which were performed at the Théâtre des Bouffes Parisiens. His pieces are characterized by rhythmic precision, imagination and flexibility of musical phrases. A. Willemetz, Jacques-Charles, H. Varna and H. Heanson were his lyricists and librettists. Occasionally he also wrote the lyrics.
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