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Mary P. Burrill

Mary P. Burrill
Born Mary Powell Burrill
(1881-08-00)August , 1881
Washington, D.C., USA
Died March 13, 1946(1946-03-13) (aged 64)
New York, USA
Occupation Playwright, educator
Nationality United States
Alma mater Emerson College
Information
Genre Drama
Notable work(s) They That Sit in Darkness (1919)
Aftermath (1919)

Mary P. Burrill (August 1881 – March 13, 1946) was an early 20th-century African-American female playwright and educator who also inspired Willis Richardson and other students to write plays.

Mary Powell Burrill was born in August 1881 in Washington, D.C., the daughter of John H. and Clara E. Burrill. In 1901, she graduated from M Street High School (later Dunbar High School) in Washington, D.C.. When her family moved to Boston, she attended Emerson College of Oratory (later Emerson College), where she received a diploma in 1904.

In 1919, two of her best known plays were published. They That Sit in Darkness was published in Margaret Sanger's progressive Birth Control Review, a monthly publication advocating reproductive rights for women. The other play, Aftermath, was published in Liberator, edited by socialist Max Eastman. Burrill understood her plays as deliberate acts of political protest advocating radical stances on issues of race and gender.

The story of They That Sit in Darkness focuses on the effects of having multiple children to a young mother. Despite repeated warnings from midwives for the mother to "be careful" she continues to have children with dire consequences. Burrill took to the convention of the one-act form as it flowered in the contemporaneous productions of the Provincetown Players and Washington Square Players and as it has been hailed as a prime source of modern American drama. Sandra L. West of Virginia Commonwealth University in a brief essay on Burrill described the work as controversial for its time because the play advocated birth control as a means to escape poverty long before women were given reproductive rights.

Aftermath is set in rural South Carolina and involves a soldier who discovers that his father has been lynched after he returns from fighting overseas. It was produced by New York City's Krigwa Players in 1928. In Aftermath (1919), Mary Burrill presents the character John as an example of the assertive black male who selflessly and fearlessly confronts racial oppression.


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