Mary Osborne

Mary Osborne
Osborne in Rochester, New York, 1977
Background information
Birth name	Mary Orsborn
Born	(1921-07-17)July 17, 1921 Minot, North Dakota, U.S.
Died	March 4, 1992(1992-03-04) (aged 70) Bakersfield, California, U.S.
Genres	Jazz
Occupation(s)	Musician
Instruments	Guitar

Mary Osborne (July 17, 1921 – March 4, 1992) was an American jazz electric guitarist.

Osborne was born in Minot, North Dakota, the tenth of eleven children. Her family was musically inclined; her mother played guitar and her father, in addition to constructing violins, allowed his barbershop to be the meeting place for the town's musicians. As early as 3 years of age, she showed an interest in music. Osborne's earliest instruments included piano, ukulele, violin, and banjo. At age nine, she first played the guitar. At ten, she started playing banjo in her father's ragtime band. She also came to be featured on her own radio program, which she would continue to perform on twice weekly until she was fifteen. At twelve she started her own trio of girls to perform in Bismarck, North Dakota. The music she was playing during this time period was largely "hillbilly", or country music, in which the guitar was simply used to accompany her own vocals.

At the age of fifteen, Osborne joined a trio led by pianist Winifred McDonnell, for which she played guitar, double bass, and sang. During this time, she heard Charlie Christian play electric guitar in Al Trent's band at a stop in Bismarck. She was enthralled by his sound, at first mistaking the electric guitar for a saxophone. She said of it, "What impressed everyone most of all was his sense of time. He had a relaxed, even beat that would sound modern even today." Osborne immediately bought her own electric guitar and had a friend build an amplifier. She sat in with Christian, learning his style of guitar. Later, McDonnell's trio got absorbed into Buddy Rogers's band, after Rogers heard them play in St. Louis. But within a year of the band moving to New York in 1940, the trio broke up and left Rogers's band, having found husbands. Osborne married trumpeter Ralph Scaffidi, who encouraged her musical career.

In the 1940s, Osborne sat in on jam sessions on 52nd Street, where she played with some of the biggest names in jazz and quickly made a name for herself. In 1941 she went on the road with jazz violinist Joe Venuti. In 1942 she was working freelance in Chicago when she made a recording with Stuff Smith. In 1945 Osborne headlined a performance with Dizzy Gillespie, Art Tatum, Coleman Hawkins, and Thelonious Monk in Philadelphia, to reviews and audiences that praised her specifically. Osborne, Tatum, and Hawkins went on to record in concert in New Orleans. In 1945 Osborne moved back to New York. There she recorded with Mary Lou Williams in 1945, Coleman Hawkins, Mercer Ellington, and Beryl Booker in 1946, and led her own swing trio. Her trio lasted from 1945–1948 and played in clubs on 52nd street, had a year-long engagement at Kelly's Stables, and made several recordings. Throughout the 1950s she played with Elliot Lawrence's Quartet on a CBS radio program. The last few years of the decade she spent recording, both with Tyree Glenn and as a leader. Shortly after, Osborne felt that she had been doing the same thing musically for too long and wanted a change. In 1962 she started learning Spanish classical guitar under Alberto Valdez-Blaine. She used classical techniques, such as pick-less playing, in her jazz playing.