Martha Morton
| Martha Morton | |
|---|---|
Martha Morton
|
|
| Born |
October 10, 1865 New York City |
| Died | February 18, 1925 (aged 59) |
| Occupation | Playwright |
| Spouse(s) | Hermann Conheim |
Martha Morton (1865–1925) was the first successful American woman to sustain a lengthy career as a professional playwright. Author of numerous plays, she founded the Society of Dramatic Authors, and helped open doors for other female theatre artists.
Martha Morton was born in New York City on October 10, 1865. Raised partly in London and in New York City, she attended the Normal College (Hunter College). She began writing stories and poems at a young age, and found some early success in getting published.
When she was nineteen, in 1884 Morton wrote a parody of David Belasco's May Blossom, which Daniel Frohman used as a skit for a benefit production. Following this encouragement, Morton penned a melodrama, Helene, which received a one-day benefit showing, followed by a two-week production the following year in 1889; Clara Morris, an actress renowned for her emotive acting style, kept the melodrama in her repertoire for a number of years. Morton's next produced play, The Merchant, won first place and $5,000 in the New York World's playwriting contest, enjoying a seven-week run at the Madison Square Theatre in 1891. Four plays for comedian William H. Crane undoubtedly contributed to Morton's high earnings as a playwright; Crane toured the United States and played in New York: Brother John (1893), His Wife's Father (1895), A Fool of Fortune (1896), and The Senator Keeps House (1911).
Eventually, Morton would go on to earn over one million dollars for her plays.
At the age of twenty-one she directed her first Broadway production, and became increasingly interested in "the role of women as active participants in solving problems of a national scope." Several successful female playwrights followed in Morton’s footsteps, thanks to her unending encouragement. When she tried to join the American Dramatists Club, she was denied admission because she was a woman. As a result, she founded the Society of Dramatic Authors in 1907, which included thirty female members, and one male member. When members of the American Dramatists Club joined Morton’s group, the cross-saturation eventually led to the joining of the two, called The Society of American Dramatists and Composers - forerunner of the Dramatists Guild of America.
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