Mark Lammert (born on September 30, 1960 in Berlin), is a German painter, illustrator, graphic artist and stage designer. He lives and works in Berlin.
Lammert studied painting at Kunsthochschule Berlin from 1979–1986 and from 1989 to 1992 he was master scholar at Akademie der Künste zu Berlin. In 1993 he created his first stage design for Heiner Müller’s production of „Duell-Traktor- Fatzer“ at Berliner Ensemble. In the following years he received scholarships for painting from Senatsverwaltung für Kulturelle Angelegenheiten, Berlin (1994) and the Kunstfond Bonn e.V. (1996) In 1997 he was affiliated to the latter as a curator. In 1997 he lived and worked in Lisbon and in 1998 he was awarded the Grafikpreis of Kunstmesse Dresden. In 1999 Akademie der Künste awarded him their Käthe Kollwitz Prize and in 2000/2001 Academie Experimentale des Theatres invited him to Paris. The Preußische Seehandlung presented him with their Eberhard Roters scholarship for painting in 2002. He spent most of 2002 in France where he was artist in residence des „Les Recollets“, Paris. In 2011 Lammert was appointed Professor of Painting at the Universität der Künste, Berlin.
Lammert appeared before the public both with paintings and drawings from very early on and was represented in many exhibitions of German art (e.g. „Deutschlandbilder“, Bern 1997 and „Art of Two Germanys“, County Museum of Art, Los Angeles, 2009). His work is driven by a conceptual approach that questions the limits of what is pictorially representable. This applies to the early portraits (Stephan Hermlin, 1987) which were described as painted protest against a society unaware of its history and to the subsequent series of paintings, drawings and graphic art: beginning with the early group paintings „People Waiting“ (1983 – 88) via the frozen white nudes and butchery paintings up to the graphic sequence „Kinne“ that invalidates the cliche Heiner Müller.