Marius | |
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Directed by | Alexander Korda |
Produced by | Robert Kane, Marcel Pagnol |
Written by | Marcel Pagnol |
Starring | Raimu, Pierre Fresnay, Orane Demazis, Fernand Charpin, Alida Rouffe, Paul Dullac, Alexandre Mihalesco, Robert Vattier, Édouard Delmont, Milly Mathis, Marcel Maupi |
Music by | Francis Gromon |
Cinematography | Theodore J. Pahle |
Edited by | Roger Mercanton |
Distributed by | Les Films Paramount |
Release date
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Running time
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127 minutes |
Country | France |
Language | French |
Marius is a 1931 French drama film directed by Alexander Korda. It is based on the play with the same title by Marcel Pagnol. The film is a part of a trilogy which includes the films Fanny (Marius's ex-fiancee) and César (Marius's father). The film was selected to be screened in the Cannes Classics section of the 2015 Cannes Film Festival. The restored film was also given a limited re-release in the United States by Janus Films on January 4, 2017, first premiering at Film Forum.
The film was made by Korda for the French subsidiary of Paramount Pictures. A separate German-language version The Golden Anchor, also directed by Korda, was released the following year.
The film takes place mostly in the waterfront bar of César, Marius's father. Marius works in the bar and his good friend since childhood, Fanny, works outside the bar selling cockles. Marius has a hidden desire to travel to exotic places with the ship crews that depart from the docks of Marseille. This desire becomes exposed when a rich older man (Panisse) proposes to Fanny and Marius gets jealous. Marius' jealousy of Panisse is the first indication of the secret feelings that he has for her, but much to his surprise, the feelings are reciprocated by Fanny. She confesses that she loves Marius prompting him to reveal his plans of traveling the world to her, noting that being the wife of a man at sea is not a desirable life. After a few nights, it is discovered that they have slept together and Marius's father and Fanny's mother convince him to marry her. Marius becomes noticeably melancholy after proposing to Fanny until a few days later, the date of departure of a boat on which Marius was supposed to crew. Fanny, realizing that Marius is not truly happy being with her, decides to encourage him to leave. She helps distract his father while Marius sneaks onto the boat.