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Mario Botta

Mario Botta
MarioBotta.JPG
Mario Botta at Swiss Embassy in New Delhi in 2010
Born (1943-04-01) April 1, 1943 (age 73)
Mendrisio, Switzerland
Nationality Swiss
Occupation Architect
Buildings National Bank of Greece, Athens
San Francisco Museum of Modern Art
Bechtler Museum of Modern Art, Charlotte, NC
Santa Maria degli Angeli, Monte Tamaro, Switzerland

Mario Botta (born April 1, 1943) is a Swiss architect. He studied at the Liceo Artistico in Milan and the IUAV in Venice. His ideas were influenced by Le Corbusier, Carlo Scarpa, Louis Kahn. He opened his own practice in 1970 in Lugano.

Botta designed his first buildings at age 16, a two-family house at Morbio Superiore in Ticino. While the arrangements of spaces in this structure is inconsistent, its relationship to its site, separation of living from service spaces, and deep window recesses echo of what would become his stark, strong, towering style. His designs tend to include a strong sense of geometry, often being based on very simple shapes, yet creating unique volumes of space. His buildings are often made of brick, yet his use of material is wide, varied, and often unique.

His trademark style can be seen widely in Switzerland particularly the Ticino region and also in the Mediatheque in Villeurbanne (1988), a cathedral in Évry (1995), and the San Francisco Museum of Modern Art or SFMOMA (1994). He also designed the Europa-Park Dome, which houses many major events at the Europa-Park theme park resort in Germany. Religious works by Botta, including the Cymbalista Synagogue and Jewish Heritage Center were shown in London at the Royal Institute of British Architects in an exhibition entitled, Architetture del Sacro: Prayers in Stone. “A church is the place, par excellence, of architecture,” he said in an interview with architectural historian Judith Dupré. “When you enter a church, you already are part of what has transpired and will transpire there. The church is a house that puts a believer in a dimension where he or she is the protagonist. The sacred directly lives in the collective. Man becomes a participant in a church, even if he never says anything.”


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