Marinism (Italian: marinismo, or secentismo, "17th century") is the name now given to an ornate, witty style of poetry and verse drama written in imitation of Giambattista Marino (1569–1625), following in particular La Lira and L'Adone.
The critic James V. Mirollo, the author of the first monograph in English on the subject, distinguished the terms as follows:
The following discussion is based on Mirollo's analysis.
The Marinist poet never hesitated to embark on a long string of comparisons with nature, most of them couched as metaphor rather than simile because this allowed for more striking statements. "There was hardly an area of human experience that could not be pressed into service for a comparison." Nevertheless, Marino leans heavily on both classical mythology and Christian imagery, adapting it freely to create a huge number of memorable word-pictures: "gems, minerals, and precious metals [...] flowers (especially the rose and the lily), birds, fire, snow, the seasons, the sea, and, above all, sun and stars [...] milk, ivory, parturition, the arts and sciences, and a variety of actions and emotions useful for personification."