Mariken van Nieumeghen

Mariken van Nieumeghen is a late medieval Dutch text from the early 16th century. The protagonist of the play spends seven years with the devil, after which she is miraculously released. The oldest edition dates from 1515 and was printed by Willem Vorsterman; linguistic evidence suggests it was written by a poet from an Antwerp chamber of rhetoric.

Like the fourteenth-century Beatrijs, the story involves a beautiful young woman who is seduced, but unlike that poem Mariken has a lively, "Burgundian" style in often lower-class language, as opposed to the courtly elegance of the Beatrijs.

Though the story is often called a miracle play, Dirk Coigneau, in his 2002 edition, argues that the story was not intended as a drama; he likens its organization (the text is separated into sections where verse dialogues are preceded by prose introductions) to that of a prose novel.

The earliest known version, printed in 1515 in Antwerp (found in the Bavarian State Library, Munich) is designated A. The story was popular enough to become widespread very quickly. An English translation was printed by Antwerp printer Jan van Doesborch (), as of... Mary of Nemmegen in the early-sixteenth century--this manuscript is usually designated D. The actual origins of the story are not well known, though in 2009 Dirk Coigneau proposed that it may originate in Syria, claiming as evidence a sixth-century novella about the fourth-century Assyrian Saint Abraham, a text which Coigneau claims shows many similarities with the Mariken.

A Latin version was included by Hadrianus Lyraeus in his Trisagion Marianum (1648), and ended up in the Italian book Sabati del Giesù di Roma by P. Joannes Rho (1655), from which it traveled to the Marianischer Gnaden- und Wunderschatz (Augsburg 1737) and finally in Alphonsus Maria de Liguori's Italian Glorie di Maria (1750).Luise von Ploennies made a German Faust out of her (1853). Eugen d'Albert wrote an opera in 1923 (libretto by Herbert Alberti), Mareike von Nymwegen, in 1923. The book was translated into German (1918 and 1950), English (1924), French (1929), and Norwegian (1975), and adapted for radio in Afrikaans.

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