Maria Clara gown

The María Clara gown is a traditional gown worn by women in the Philippines. This Filipino dress takes its name from María Clara, the mestiza protagonist of the national epic Noli me tangere, penned in 1890 by Filipino national hero José Rizal. It has been connected to the María Clara character because of her traits: delicate, feminine, self-assured and with a sense of identity. The María Clara outfit is the only Philippine national attire that is named after a literary figure.

The María Clara dress originated from the conventional baro't saya of early Filipino women. The baro't saya consists of a loose, long-sleeved blouse, which is then worn over a wide, ankle-length skirt.

The attire is composed of four pieces, namely the camisa, the saya, the pañuelo (Spanish for scarf, also spelled panuelo) and the tapis. The camisa is a collarless chemise whose hem is at the waist, and is made from flimsy, translucent fabrics such as pineapple fiber and jusi. The sleeves of the camisa are similar to the so-called "angel wings", or shaped like bells that have cuffs. The pañuelo is a stiff covering for the neck, which acts as an accent piece because of embellishments added to it. The purpose of the pañuelo is related to modesty, used to cover the low-necked camisa'. The saya is a skirt shaped like a bubble with a length that begins from the waist reaching the floor. These are usually comprised either of single or double sheets, called "panels" or dos paños (Spanish for "two cloths"); some examples are made out of seven gores or siete cuchillos (Spanish for "seven knives"). The tapis is a knee-length over-skirt that hugs the hips. Tapis designs may be plain, and is usually made of opaque fabrics such as muslin and the madras cloth, and also is used for the purposes of modesty as it keeps the lower torso from showing due to the thinness of the saya.

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