Marge Piercy
| Marge Piercy | |
|---|---|
| Born |
March 31, 1936 Detroit, Michigan |
| Residence | Wellfleet, Massachusetts |
| Nationality | American |
| Education | BA, University of Michigan MA, Northwestern University |
| Occupation | Poet, novelist, activist |
| Known for | Feminist writings |
| Website | margepiercy |
Marge Piercy (born March 31, 1936) is an American poet, novelist, and social activist. Her work includes Woman on the Edge of Time; He, She and It, which won the 1993 Arthur C. Clarke Award; and Gone to Soldiers, a New York Times Best Seller and sweeping historical novel set during World War II.
Piercy was born in Detroit, Michigan, to Bert (Bunnin) Piercy and Robert Piercy. Upon graduation from Mackenzie High School, Marge became the first in her family to attend college, studying at the University of Michigan. Winning a Hopwood Award for Poetry and Fiction (1957) enabled her to finish college and spend some time in France. She earned a M.A. from Northwestern University. Her first book of poems, Breaking Camp, was published in 1968.
An indifferent student in her early years, Piercy developed a love of books when she came down with rheumatic fever in her mid-childhood and could do little but read. "It taught me that there's a different world there, that there were all these horizons that were quite different from what I could see".
Piercy was a significant feminist voice in the New Left and Students for a Democratic Society.
Piercy is author of more than seventeen volumes of poems, among them The Moon is Always Female (1980, considered a feminist classic) and The Art of Blessing the Day (1999), as well as fifteen novels, one play (The Last White Class, co-authored with her third and current husband Ira Wood), one collection of essays (Parti-colored Blocks for a Quilt), one non-fiction book, and one memoir. She contributed the pieces "The Grand Coolie Damn" and "Song of the fucked duck" to the 1970 anthology Sisterhood is Powerful: An Anthology of Writings From The Women's Liberation Movement, edited by Robin Morgan.
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