Margaret Nolan
| Margaret Nolan | |
|---|---|
| Born |
Margaret Nolan 29 October 1943 London, England |
| Years active | 1964–1983 |
Margaret Nolan (born 29 October 1943) is an English visual artist, actress and former glamour model. She was born in Hampstead, London to Irish parents. Nolan was married to English playwright Tom Kempinski in 1963 and divorced in 1972. She has two sons.
Margaret Nolan began her career in front of a camera lens as a model. As her glamour modelling career took off, she was briefly known as Vicky Kennedy in the early 1960s. Nolan reverted to her birth name as soon as acting roles beckoned; appearing in numerous television shows, theatre productions and movies. The latter included A Hard Day's Night with the Beatles, Ferry Cross the Mersey with Gerry and the Pacemakers and Marcel Carné's Three Rooms in Manhattan.
In 1964, Nolan played the small role of Dink, Bond's masseuse, in the James Bond film Goldfinger. She was painted gold and wore a gold bikini for Robert Brownjohn's title-sequence, advertisements and soundtrack-cover (not Shirley Eaton as in the narrative of the film). This led to photographs in Playboy magazine's James Bond's Girls edition of November 1965. In the 1971 film Carry On At Your Convenience, composer Eric Rogers referenced Nolan's Goldfinger affiliation by using its three-note motif on a close-up of her. Nolan appeared on the front cover of both the US and UK versions of the 2005 book Robert Brownjohn: Sex and Typography. The title-sequence was also parodied by the pop-band Scissor Sisters for their 2006 music-video Land of a Thousand Words. In 2012, Nolan gave her first interview concerning her experiences as the model. Asked if the imagery liberates or celebrates womanhood, Nolan responded that
It does celebrate the physical form. If I'd been nude it might have been about liberation because up to that point you wouldn't have seen a nude woman in a publicly visible thing like that. I could have been very pretentious and said this is liberating. But because I was dressed-up anyway I didn't get that sense.
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