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March of Time

The March of Time
March-of-Time-title.jpg
Intertitle
Produced by
Narrated by Westbrook Van Voorhis
Production
company
Distributed by
Release date
  • February 1, 1935 (1935-02-01)
– August 1951
Running time
20–30 minutes

The March of Time is an American short film series sponsored by Time Inc. and shown in movie theaters from 1935 to 1951. It was based on a radio news series broadcast from 1931 to 1945. The "voice" of both series was Westbrook Van Voorhis. Produced and written by Louis de Rochemont and his brother Richard de Rochemont, The March of Time was recognized with an Academy Honorary Award in 1937.

The March of Time organization also produced four feature films for theatrical release, and created documentary series for early television. Its first TV series, Crusade in Europe (1949), received a Peabody Award and one of the first Emmy Awards.

The March of Time was based on a news documentary and dramatization series, also called The March of Time, that was first broadcast on CBS Radio. Usually called a newsreel series, The March of Time was actually a monthly series of short feature films twice the length of standard newsreels. The films were didactic, with a subjective point of view. The editors of Time described it as "pictorial journalism". Like its radio namesake, The March of Time included reporting, on-location shots, and dramatic reenactments. The March of Time's relationship to the newsreel was compared to the weekly interpretive news magazine's relationship to the daily newspaper.

The March of Time was launched February 1, 1935, in over 500 theaters. Each entry in the series was either a two- or three-reel film (20 or 30 minutes). Westbrook Van Voorhis, who hosted the radio program, served as narrator of the film series. The series, which finally totalled close to 200 segments, was an immediate success with audiences. Because of its high production costs—estimated at $50,000 per episode, released at the rate of about one episode per month—the series was a money loser. However, it remained in production for six years beyond the cancellation of the radio show on which it was based.


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