Marcelle Ferron
| Marcelle Ferron | |
|---|---|
| Born |
January 29, 1924 Louiseville (Mauricie), Quebec |
| Died | November 19, 2001 (aged 77) Montreal, Quebec |
| Nationality | Canadian |
| Education | Paul-Émile Borduas |
| Known for | stained glass, painting |
| Movement | Automatistes |
Marcelle Ferron, GOQ (January 29, 1924 – November 19, 2001), a Québécoise painter and stained glass artist, was a major figure in the Quebec contemporary art scene, associated with the Automatistes.
Ferron was born in Louiseville, Quebec on January 29, 1924. Her brother Jacques Ferron and her sister Madeleine Ferron were both writers. She studied at the École des beaux-arts before dropping out, unsatisfied with the way the school's instructors addressed modern art.
Ferron was an early member of Paul-Émile Borduas's Automatistes art movement. She signed the manifesto Refus global, a watershed event in the Quebec cultural scene, in 1948.
In 1953, she moved to Paris, where she worked for 13 years in drawing and painting and was introduced to the art of stained glass, for which she would become best known.
One of her stained-glass windows is at Champ-de-Mars metro station in Montreal. It was one of the first non-figurative works to be installed in the metro, in defiance of the didactic style present in other works of the period, and signalled a major shift in public art in Montreal between the policies of then art director Robert Lapalme and future art director and fellow automatiste Jean-Paul Mousseau. Other examples of her works can be seen at Vendôme metro station, Hôpital Sainte-Justine, and the ICAO headquarters, in Montreal; the Place du Portage in Gatineau, Quebec; and the Granby, Quebec courthouse.
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