Maple Leaf Rag (ballet)

Maple Leaf Rag is a storyless Martha Graham ballet set to ragtime compositions by Scott Joplin. The work premiered on October 2, 1990 at New York City Center with costumes by Calvin Klein and lighting by David Finley. Chris Landriau arranged the music and played piano at the debut. The dance is a jubilant self-parody and an homage, of sorts, to Graham's mentor and musical director, Louis Horst, who would play the rag for her whenever she fell into a creative slump. Graham was 96 when she created Maple Leaf Rag; it is her last completed dance. In 1991, she began another work, The Eyes of the Goddess, but it was unfinished at the time of her death.

The curtain rises to reveal a grand piano at the rear of a darkened stage. The only other set element is a joggling board, a long springy plank set on two upright supports with rocker feet. Graham had discovered the rocking chair-bench hybrid when the Martha Graham Dance Company appeared at Spoleto USA in Charleston.

The musician enters first and sits at the piano, repeatedly striking a foreboding chord. The dancers come in, initially a couple executing an overhead lift, then a circle of dancers, leaping and landing dramatically to the pounding of the piano. A female ensemble member breaks away from the group to perform a bouncing dance on the joggling board. The audience then hears Graham's recorded voice, "Oh Louis, play me the Maple Leaf Rag!"

As Joplin's music starts, the stage lights come up. Six couples dance joyfully around the board on which the lone female now reclines. The pianist briefly interrupts the rag to reprise the ominous beat as a somber white-gowned, chignoned figure crosses the stage in a series of swirling turns. As she exits, the ensemble returns to joyous movement.

The ballet is approximately 15 minutes in length. Three Scott Joplin rags provide the work's structure: Maple Leaf Rag (1899) opens the dance, followed by the waltz Bethena (1905) and Elite Syncopations (1902); a reprise of Maple Leaf Rag concludes the dance.

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