Man Jumping

Famously described by Brian Eno as 'the most important band in the world', Man Jumping was a musical ensemble formed in England in 1983 which comprised members of the much larger but disbanded musical collective The Lost Jockey. The band was conceived primarily as a recording project whose musical agenda saxophonist Andy Blake described as "to develop a post-minimalist musical language further towards rock, funk and dance music, without The Lost Jockey's mistakes.".

The music of Man Jumping drew on jazz fusion, ethnic musics, electronics and funk to create an alternative world dance music. Keyboardist Orlando Gough said in an interview, in March 1985: "I suppose there is some kind of nebulous central core of ideas, which may to do with us all having come out of systems music and our interest in foreign music but actually we are influenced by Frank Zappa, James Blood Ulmer, Bach".

A demo produced by Mike Hedges led to a contract with Bill Nelson's Cocteau Records who released their first album Jump Cut in early 1985. Produced by Philip Bagenal and recorded at Bagenal's own studio in Notting Hill, "Eastcote Productions", it attracted rave reviews. Time Out said: "Man Jumping merge the exacting algebra of systems music with the warmth, wit and passion of dance music and, in their own small way, are revolutionary, unique. I adore this album".

A series of 12" remixes, whilst immaculately produced, failed to fully crossover, however, to the nascent dance scene of the era.

The original LP, with the additional 12"s and alternative mixes, was reissued in 1999 on the Shaping the Invisible label (available via The Gift of Music website). Music critic Richard Williams, reviewing the album on its re-release suggested, "So maybe Man Jumping, a brilliant and volatile notion which gave rise to brilliant and volatile music was never destined for longevity. As a unit they lasted four years and two albums, but their legacy is demonstrably durable, a testament to their originality of thought and commitment to an idea of what music might be rather than an imitation of what it already was. Created from theory and technique, it nevertheless liberated itself from formal restrictions and took shape with a thrilling sense of its own possibilities. Carefully planned but made in the moment, we might say. And, as it turns out, built to last."

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Wikipedia