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Make It Stop (September's Children)

"Make It Stop (September's Children)"
Cover art for the single "Make It Stop (September's Children)" by Rise Against.
Single by Rise Against
from the album Endgame
B-side "Lanterns"
Released May 30, 2011
Format
Recorded The Blasting Room, Fort Collins, Colorado
Genre Alternative rock
Length 3:55
Label
Songwriter(s) Rise Against
Producer(s)
Rise Against singles chronology
"Help Is on the Way"
(2011)
"Make It Stop (September's Children)"
(2011)
"Satellite"
(2011)
"Help Is on the Way"
(2011)
"Make It Stop (September's Children)"
(2011)
"Satellite"
(2011)
Audio sample

"Make It Stop (September's Children)" is the second single from punk rock band Rise Against's sixth studio album, Endgame. The single was released to digital music outlets on May 30, 2011. The song impacted radio the following day. It peaked at number six on Billboard's Alternative Songs chart and number eight on Billboard's Rock Songs chart. The song is part of the It Gets Better Project.

In an article for Punknews.org, lead singer Tim McIlrath revealed that "a number of events were the catalyst for the creation of Make It Stop, everything from the suicides in September 2010, to our own fans voicing their fears and insecurities from time to time. I decided to create the song as a response, and when I discovered the It Gets Better campaign and [It Gets Better Project co-founder] Dan Savage's commitment to such an important and concise message, I was moved."

The song explicitly deals with the bullying and harassment LGBT youth face. According to McIlrath, "The message is: It can get better, it does get better, give it a chance to get better, don’t end your life prematurely."

During the middle 8, the first 5 of the 9 names of the September 2010 suicides are read aloud: (Tyler Clementi, age 18; Billy Lucas, age 15; Harrison Chase Brown, age 15; Cody J. Barker, age 17; Seth Walsh, age 13).

"Make It Stop (September's Children)" received positive reviews from critics. Thomas Nassiff of AbsolutePunk wrote that despite its more accessible sound, "[the] song becomes an example of the way that radio-ready rock music should be written". Scott Heisel of Alternative Press noted that the song borrows the guitar opening from "Boulevard of Broken Dreams" by Green Day, but characterized the lyrics as "more pointed than Billie Joe Armstrong's have ever been". Davey Boy of Sputnikmusic described the children's choir and spoken names during the bridge as "effective devices employed to bring awareness to such a worthwhile issue". Conversely, Jason Heller of The A.V. Club criticized the children's choir, noting that it "sends the song flying into a tear-filled well of self-parody".


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