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Maerten de Vos


Maerten de Vos, Maerten de Vos the Elder or Marten de Vos (1532 – 4 December 1603) was a Flemish painter mainly of history paintings and portraits. He became, together with the brothers Ambrosius Francken I and Frans Francken I, one of the leading history painters in the Spanish Netherlands after Frans Floris’ career slumped in the second half of the sixteenth century as a result of the Iconoclastic fury of the Beeldenstorm.

De Vos was a prolific draughtsman and produced numerous designs for the Antwerp printers.

He was born in Antwerp as the youngest of the four children of Peter (Pieter) de Vos and Anna de Heere. His father was born in Leiden and relocated to Antwerp where he was recorded at the age of 17 years as a pupil of Jeroom Scuelens. Maerten and his brother, also called Pieter, first trained with their father. A pupilage with the leading mid-16th century leading history painter Frans Floris has been surmised by some art historians but there is no documentary evidence for this.

As a trip to Italy had become a rite of passage for Flemish artists in the 16th century, de Vos travelled to Italy where he resided between 1550 and 1558. It is possible that he made at least part of his trip to the south in the company of Pieter Brueghel the Elder. He likely resided in Rome, Florence and Venice. De Vos' work shows a strong influence of the colors of the Venetians. The 17th-century Italian artist biographer Carlo Ridolfi wrote that de Vos worked in the studio of Tintoretto in Venice, which would explain this influence.

Upon his return to Antwerp in 1558 de Vos became a member of the Antwerp Guild of Saint Luke. It is possible that he returned to Antwerp earlier if the date of 1556 on a portrait painting is correct. He married Joanna le Boucq whose family was originally from Valenciennes in France. The couple had five daughters and three sons. At the time, Frans Floris was the leading history painter in Flanders and he operated a large workshop in Antwerp. This made it more difficult for other artists to find commissions. De Vos was lucky to obtain in 1564 commissions from the rich Antwerp merchant Gillis Hooftman.


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