Mad Not Mad
| Mad Not Mad | ||||
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| Studio album by Madness | ||||
| Released | 30 September 1985 | |||
| Recorded | March–April 1985 | |||
| Studio | Westside Studios, London and Air Studios, London | |||
| Genre | ||||
| Length | 42:19 | |||
| Label |
Zarjazz (UK) Geffen (US) |
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| Producer | ||||
| Madness chronology | ||||
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| Singles from Mad Not Mad | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |    |
| Record Collector | |
| The New Rolling Stone Album Guide |
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Mad Not Mad is the sixth studio album by the English ska/pop band Madness. It was originally released in September 1985, and was their first official release on their own label Zarjazz, which was a sub-label of Virgin Records. The album was recorded over a period of two months in 1985, at Westside Studios in London, and at Air studios also in London. The album is generally regarded as the culmination of the smoother, more adult-oriented sound of the band's later work. It features three prolific guest backing vocalists, including the female duo Afrodiziak (composed of Caron Wheeler and Claudia Fontaine), and Jimmy Helms. The album is notably the band's only album not to feature their keyboardist and founding member Mike Barson, who had left the group the previous year to spend more time with his now ex-wife Sandra in Amsterdam, Netherlands. Barson's keyboard parts were filled by synthesizers and Steve Nieve joined the band to take his place. Two years after the album Madness disbanded, but Barson did join them for the recording of their one-off single, "(Waiting For) The Ghost Train". The album was their last recording of original material until they officially reformed in 1992. The album peaked at No. 16 in the UK charts, and achieved silver status from the BPI. However, the album remains the band's poorest selling studio album to date. It featured the songs "Yesterday's Men", "Uncle Sam", and "Sweetest Girl" which were all released as singles, with corresponding music videos. The three singles that were released all reached the Top 40 in the UK charts, however the latter two failed to make the Top 20, which was a first for any Madness single. The aforementioned "Sweetest Girl" was a cover version of a song by the British post-punk/new wave band Scritti Politti.
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