Ma' Rosa
| Ma' Rosa | |
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Film poster
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| Directed by | Brillante Mendoza |
| Produced by | Larry Castillo |
| Written by | Troy Espiritu |
| Starring | Jaclyn Jose |
| Music by | Teresa Barrozo |
| Cinematography | Odyssey Flores |
| Edited by | Diego Marx Dobles |
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Production
company |
Center Stage Productions
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| Distributed by | Films Distribution, Paris |
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Release date
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Running time
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110 minutes |
| Country | Philippines |
| Language | Filipino |
Ma' Rosa is a 2016 Filipino drama film directed by Brillante Mendoza. It was selected to compete for the Palme d'Or at the 2016 Cannes Film Festival. At Cannes, Jaclyn Jose won the award for Best Actress. It was selected as the Filipino entry for the Best Foreign Language Film at the 89th Academy Awards but it was not nominated.
Rosa (Jaclyn Jose) is married to Nestor (Julio Diaz) with whom she has four children. Rosa's family runs a sari-sari store in a neighborhood in Manila. The income from the small convenience store business alone isn't enough to meet the family's daily needs, so illegal drugs particularly "ice" or crystal meth are also sold at Rosa's store. One day police officers arrest Rosa and Nestor for selling drugs and ask them for "bail money" or a bribe for the couple's release. Rosa's children, left on their own to deal with the struggles of daily life, find a way to free their detained parents.
Director Brillante Mendoza decided to make the film to tackle the issue of small-scale drug selling in the Philippines which he says is really happening in the country and described the situation as alarming. Mendoza noted that the concept of corruption which is a subject of the film appeals to a worldwide audience since he says that corruption is happening in many different countries on a different scale.
Ma' Rosa was originally titled Palit Ulo. The film was shot in Mandaluyong during the rainy season of 2015 and was supported by French distributor firm, Film Distribution.
The film premiered at the 2016 Cannes Film Festival.
The film holds 78% rating on Rotten Tomatoes. Maggie Lee of Variety reviewed the film and said "Boasting a simple, coherent plot shot with real-time, handheld verismo, it’s a work of understated confidence that will not disappoint his festival acolytes, but probably won’t win many new converts".Peter Bradshaw of The Guardian stated that "Ma'Rosa is made with control and clarity, a narrative purpose which is held on to despite an apparently aimless docu-style, and a clear sense of jeopardy".
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Wikipedia