M Ward
| M. Ward | |
|---|---|
M. Ward performing live at the Glastonbury Festival, 27 June 2009.
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| Background information | |
| Birth name | Matthew Stephen Ward |
| Also known as | M. Ward |
| Born | October 2, 1973 |
| Origin | Portland, Oregon, U.S. |
| Genres | Indie folk, Alt-country, American Primitive Guitar |
| Occupation(s) | Singer-songwriter, Producer |
| Instruments | Vocals, Guitar, Bass, Harmonica, Piano, Keyboards, Mandolin, Xylophone, Percussion |
| Years active | 1999–present |
| Labels | Merge, 4AD, Matador, Future Farmer, Loose Music, Arts & Crafts México, Bella Union, |
| Associated acts | She & Him, Monsters of Folk, Bright Eyes, Norah Jones |
| Website | www.mwardmusic.com |
Matthew Stephen "M." Ward (born October 4, 1973) is a singer-songwriter and guitarist from Portland, Oregon. Ward's solo work is mixture of folk and blues-inspired Americana analog recordings, releasing eight albums since 1999, primarily through independent label Merge Records. In addition to his solo work, he is a member of pop duo She & Him and folk-rock supergroup Monsters of Folk, as well as participating in the recording, producing, and playing with multiple other artists.
M. Ward was raised in Ventura County, California, and moved to Portland, Oregon after college. Growing up, Ward taught himself songs by the Beatles on his brother's guitar, and began recording demos on a four-track analog tape recorder when he was about fifteen. Ward continues to only record analog, and starts all of his songs as demos on the same recorder he has had since his teens.
Ward's solo debut, Duet for Guitars #2, was released by Co-Dependent Records in 1999, then re-issued by Howe Gelb's Ow Om record label in 2000. Described by Joshua Klein of Pitchfork as "ragged and lo-fi...recorded on a shoestring and not necessarily worse for it,"Duet for Guitars #2 soon went out of print for a second time, before being reissued by Merge in 2007.
Ward's second album, End of Amnesia, was put out by Future Farmer Records and Loose Music (Europe) in 2001. In a retrospective review, Ryan Kearney of Pitchfork compares the album to a contemporary band, Sparklehorse, saying that "both Linkous and Ward are country- and folk-influenced artists who scratch unavoidable, but nominally disruptive marks on the traditional blueprint." Sparklehorse had released It's a Wonderful Life to critical acclaim earlier in the year.
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