Lynn Coady | |
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Lynn Coady in 2014
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Born |
Port Hawkesbury, Nova Scotia |
January 24, 1970
Occupation | novelist, short story writer |
Nationality | Canadian |
Period | 1990s-present |
Notable works | Strange Heaven, The Antagonist, Hellgoing |
Notable awards |
Scotiabank Giller Prize 2013 Hellgoing |
Lynn Coady (born January 24, 1970) is a Canadian novelist and journalist.
Coady was born and grew up in Port Hawkesbury, Nova Scotia. After high school, she attended Carleton University in Ottawa; after graduating, she moved to New Brunswick, where she worked at odd jobs for several years and began a career as a playwright. In 1996, she relocated to Vancouver, British Columbia, where she earned a Master of Fine Arts degree in creative writing from the University of British Columbia. In 2006 she moved to Edmonton and taught creative writing at Athabasca University where she developed a new course in writing the short story and in 2007 moved to Toronto to work at Anansi Press.
Coady's first book, Strange Heaven (1998), was nominated for a Governor General's Award. The novel is set in Nova Scotia, giving Coady the opportunity to paint a different picture of her home province. Strange Heaven touches on the life of Bridget Murphy who has been admitted to a psychiatric ward after birthing a child whom was put up for adoption. Upon returning to her Cape Breton home Murphy sees everything and everyone in a different light but still manages to find solace in this bizarre and somewhat dysfunctional home.
Coady's second book, Play the Monster Blind (2000), was a national bestseller and a "Best Book" of 2000 for the Globe and Mail. Saints of Big Harbour (2002) was a Globe and Mail "Best Book" in 2002.
Mean Boy was recognized as a "Best Book" in 2006. The novel is a first person account of 19-year-old Lawrence Campbell during his first year of university in a small New Brunswick town. The year is 1975 and Campbell has dreams of becoming a poet. He was drawn to away from his rural Prince Edward Island home by the allure of studying with his poet hero, Jim Arsenault. As Campbell progresses through the year much of Arsenault's shine wears off and Campbell learns that people are not always what one expects but rather are complex and multi-dimensional.