Low | |
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Low in 2013
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Background information | |
Origin | Duluth, Minnesota, United States |
Genres | Indie rock, slowcore, dream pop, alternative rock |
Years active | 1993–present |
Labels | Vernon Yard, Kranky, P-Vine, Sub Pop, Rocket Girl |
Associated acts | Retribution Gospel Choir |
Website | chairkickers.com |
Members |
Alan Sparhawk Mimi Parker Steve Garrington |
Past members | John Nichols Zak Sally Matt Livingston |
Low is an American indie rock group from Duluth, Minnesota, formed in 1993. As of 2010, the group is composed of founding members Alan Sparhawk (guitar and vocals) and Mimi Parker (drums and vocals), joined by Steve Garrington (bass guitar). Previous bassists for the band include John Nichols from 1993 to 1994; Zak Sally from 1994 to 2005 and Matt Livingston from 2005 to 2008.
The music of Low is characterized by slow tempos and minimalist arrangements. Early descriptions sometimes referred to it as a rock subgenre called "slowcore" often compared to the band Bedhead, who played this style during the 1980s and early 1990s. However, Low's members ultimately disapproved of the term.
Parker and Sparhawk's striking vocal harmonies represent perhaps the group's most distinctive element; critic Denise Sullivan writes that their shared vocals are "as chilling as anything Gram and Emmylou ever conspired on—though that's not to say it's country-tinged, just straight from the heart."
The band formed in the spring of 1993. Sparhawk had been playing in the Superior, Wisconsin band Zen Identity, the core of which was formed by drummer Robb Berry and vocalist Bill Walton. That band needed a new bassist and recruited future Low bassist John Nichols. At that time, Nichols was a senior at Superior Senior High School, and bassist in the band Lorenzo's Tractor. Sparhawk taught Zen Identity songs to Nichols and during practices, the two started improvising with some very modest, quiet themes. As a joke, they wondered what would happen if they played such quiet music in front of Duluth crowds, which at that point focused around the loud, grunge, "post-punk" sound. Soon, the joke became a serious thought. Sparhawk left Zen Identity, who continued to perform and record without him, and he and Nichols recruited Sparhawk's wife Mimi Parker to play a very modest drum kit composed of a single cymbal and a single floor tom. She was to use brushes almost exclusively rather than drum sticks.