Love of Chair was a recurring sketch on the television program The Electric Company. It was seen primarily during the 1971–1972 season. The sketch was a parody of classic soap operas, and spoofed numerous aspects of these shows:
The scene was always set in a room with bare featureless walls and floors, and focused on the actions of a boy (played by Skip Hinnant dressed as a pre-teenaged child). In the early sketches, the only other visible objects in the room were a simple wooden chair in which the boy usually sat, and a paneled door in the background. Later sketches occasionally included one or two additional inanimate objects, but the chair would always be visible in the shot during each sketch. During the regular sketches, the boy never spoke; the only voice heard was that of the off-screen announcer.
The format of each sketch was very simple, and showed very little variation over the course of the first season (with the notable exception of the final episode). Each episode began with a brief introduction by the announcer (featuring a title card for the sketch): "Love of Chair. Can a boy from a small chair in a big room find happiness as a shortstop in the long run?" (Each episode had a different set of humorous "opposites": a top star in a side show, a top dog in a pup tent, a bus boy at a train station, etc. Later episodes began this introduction with "The drama that asks the question: Can a boy..." and later "The story that asks the question...") The introduction continued: "As our story begins (sometimes "When we last met the boy"), the boy is sitting", the shot would open on the boy in the room, with quiet organ music playing in the background. Initially the boy would hold himself absolutely still while looking off-camera. After a moment's pause, the boy would move and/or perform a simple action (e.g. Stand up, sit down, pick up the chair, etc.) and stop again. While the boy was motionless, the unseen announcer would use a short phrase to describe the boy's most recent action in the style of the old Dick and Jane primers, and in a dramatic tone of voice ("The boy stands up!"). After the announcer had completed this description, the boy would perform another movement or action, and would pause again while the announcer described that action.
After the boy had performed several actions and the announcer had described all of them, the background music became much more dramatic and the camera would zoom in on the motionless boy. The announcer would ask several rhetorical questions about what might happen to the boy, the chair, and sometimes the viewers, again in a very dramatic tone of voice: "Will the boy stand up again? Will the chair break? Will you break the chair?" The announcer's final question (punctuated with a sting of organ music) was always ”And...what about Naomi?“ (echoing a similar usage by Gary Owens on Rowan & Martin's Laugh-In). The announcer would then state, “For the answer to these and other questions”—The image would then briefly jump-cut outside of the featureless room to one of the other cast members of The Electric Company asking a quick non-sequitur (e.g., "What time is it?" “Is this a rerun?” "How do you get to Carnegie Hall?"). The image would then jump-cut back to the room with the boy and the chair, with the announcer (apparently unaware of the interruption) concluding, "Tune in tomorrow for Love of Chair!" In the season 1 finale, the last question was posed by the boy who asked the announcer what he did not say before by mentioning Naomi, "What about... what's her name?".