Love and the Maiden
| Love and the Maiden | |
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| Artist | John Roddam Spencer Stanhope |
| Year | 1877 |
| Type | Tempera, gold paint and gold leaf on canvas |
| Dimensions | 86.4 cm × 50.8 cm (34.0 in × 20.0 in) |
| Location | Fine Arts Museums of San Francisco, San Francisco, CA |
Love and the Maiden is a tempera on canvas by English Pre-Raphaelite artist John Roddam Spencer Stanhope, executed in 1877 and currently housed at the Fine Arts Museums of San Francisco.
Known as one of the "second-generation" of Pre-Raphaelites, Stanhope was among Dante Gabriel Rossetti's mural-painting party at the Oxford Union in 1857, together with Arthur Hughes, John Hungerford Pollen, Valentine Prinsep, Ned Burne-Jones and William Morris (nicknamed Topsy). He was a founder member of the Hogarth Club, a direct descendant of the Pre-Raphaelite Brotherhood.
This painting is considered one of Stanhope's best, and represents two radically different artistic phases of his life. Although he began as fervently Pre-Raphaelite in outlook, Stanhope was deeply attracted by the Aesthetic movement during the 1860s. Love and the Maiden is a succinct mingling of these two equally formative phases in his career. Its presence in the 1877 exhibition at the Grosvenor Gallery - Aestheticism's most famous exposé - demonstrates his adherence to the latter movement, whereas the painting's similarity to the work of Edward Burne-Jones and Dante Gabriel Rossetti - the group of dancing women in the background are similar to those portrayed by Rossetti in The Bower Meadow (1871–72) - betray Stanhope's Pre-Raphaelite background.
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