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Love That Pup

Love That Pup
Love That Pup Title.JPG
Title Card
Directed by William Hanna
Joseph Barbera
Produced by Fred Quimby
Story by William Hanna
Joseph Barbera
Voices by Daws Butler
Music by Scott Bradley
Animation by Ed Barge
Ray Patterson
Irven Spence
Kenneth Muse
Distributed by Metro-Goldwyn-Mayer
Release date(s)
  • October 1, 1949 (1949-10-01) (U.S.)
Color process Technicolor
Running time 7:17
Language English
Preceded by The Cat and the Mermouse
Followed by Jerry's Diary

Love That Pup is a 1949 one-reel animated cartoon and is the 44th Tom and Jerry short released by Metro-Goldwyn-Mayer, directed by William Hanna and Joseph Barbera, produced by Fred Quimby, music scored by Scott Bradley, and animated by Ed Barge, Ray Patterson, Irven Spence and Kenneth Muse. (This is the first time Daws Butler voiced Spike the Bulldog in the late 1940s, because Butler took Billy Bletcher's place as an actor.)

Spike is sleeping beside his son Tyke when Tyke suddenly wakes up after a nightmare. Then Spike comforts his son back to sleep again. No sooner has Tyke dozed off again than Tom and Jerry enter the scene. Tom runs through a door (literally) and into some spades, rakes and hoes, as Jerry hides among the two dogs. To find Jerry, Tom picks Tyke up to look underneath the puppy. Spike yells out "Hey, you!, That's my boy you got in your hand!"

Tom holds up his right hand and sees nothing, then holds up his left hand, and drops Tyke in fear. Tom smiles nervously and attempting to run off, but just as he does Spike grabs Tom's whiskers and issues him an ultimatum: "Listen pussycat. If I catch you bothering my boy again, I'll tear you apart! Understand? Now beat it!" Spike warns the cat will to leave Tyke alone or he will suffer the consequences. As Tom runs, crashing into (in turn) a tree, a fountain, a clothesline hanger and then into a trash can.

Jerry emerges from Tyke's ear and walks off casually until Tom comes running back. Jerry takes cover by diving into what appears to be Spike's jaw, but he really ducked under the dog's chin. Seeing the dog smack his lips as if having eaten the mouse, Tom then places his hand carefully in Spike's mouth while the dog is sleeping, and Jerry emerges from his hiding place and slams the bulldog's jaws shut with Tom's hand still in Spike's mouth. Tom yells in pain and leaps a meter back. Spike wakes up as Tom struggles to get his hand out of his mouth, pulling Spike's teeth out in the process. Tom smiles innocently again, and uses Spike's teeth as castanets while doing a Flamenco dance (while clicking to the tune of "The Mexican Hat Dance") out of the scene and runs away, dropping the teeth on the bucket.


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