Love Sublime
| Love Sublime | ||||
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| Studio album by Brad Mehldau and Renée Fleming | ||||
| Released | June 27, 2006 | |||
| Recorded | January 10–11, 2006 | |||
| Studio | SUNY Purchase Performing Arts Center, Purchase, New York | |||
| Genre | Classical | |||
| Length | 48:19 | |||
| Label | Nonesuch | |||
| Producer | Steven Epstein | |||
| Brad Mehldau chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |    |
| The Austin Chronicle | |
Love Sublime is an album by Brad Mehldau and Renée Fleming.
Prior to this album, Brad Mehldau had built a reputation as a jazz pianist, particularly with his trio. Soprano Renée Fleming was known for "her operatic performances and recitals of classical art songs" Mehldau's playing often encompassed classical music, while Fleming was interested in being a jazz vocalist from her time at college.
Rainer Maria Rilke wrote the poems collected in The Book of Hours around the turn of the twentieth century.
Mehldau worked on the music for around two years. He and Fleming performed all of the tracks at Zankel Hall.
Poems from Rilke's The Book of Hours were used. New, free translations into English were employed. Other tracks were based on some of the Blue Estuaries poems of Louise Bogan; these were written in strophes. The title track was written by Fleurine.
All of the music was either composed or "well-prepared if not entirely written".
Mehldau's "settings capture the sense of Rilke's spiritual solitude and existential dread, transfixing the poet's struggle with belief in a steely light that illuminates his final declaration of faith as clearly as his doubts and fears." "Some of the most striking effects are achieved with bleak, chiming chords, evoking Messiaen, but Mehldau parallels the poets' most involved images with passages of close-packed counterpoint and dense chording."
There are some links between the lyrical content and the music: "In 'Tears in Sleep', for example, the vocal line slides over slippery harmonies, suggesting dreamy restlessness."
The album was released by Nonesuch Records on June 27, 2006.
Opinions were split partly on genre lines. The Austin Chronicle reviewer stated "Jazz buyers beware", while the Financial Times concluded that "Opera and jazz might seem to be polar opposites, but on this album [...] they blend brilliantly."Gramophone asserted that "Fleming sings with plush tone and deep feeling, often sacrificing textual clarity in the process, and her swoops and swoons help bring out the connections to jazz."
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Wikipedia