Love Never Dies (musical)
| Love Never Dies | |
|---|---|
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| Music | Andrew Lloyd Webber |
| Lyrics |
Glenn Slater Charles Hart (additional) |
| Book | Andrew Lloyd Webber Ben Elton Glenn Slater (additional) Frederick Forsyth (additional) |
| Basis | Elements of The Phantom of Manhattan by Frederick Forsyth, an original treatment by Ben Elton, characters by Gaston Leroux |
| Productions | 2010 West End 2011 Melbourne 2012 Copenhagen 2014 Tokyo 2015 Hamburg 2017 North American Tour |
Love Never Dies is a romantic musical composed by Andrew Lloyd Webber. Lyrics are by Glenn Slater with additional lyrics by Charles Hart, and the book is by Lloyd Webber and Ben Elton, with additional material by Slater and Frederick Forsyth. It is a sequel to Lloyd Webber's long-running musical The Phantom of the Opera.
The plot is not based on the storyline in the original book by Gaston Leroux. Lloyd Webber stated: "I don't regard this as a sequel—it's a stand-alone piece." He later clarified: "Clearly, it is a sequel, but I really do not believe that you have to have seen Phantom of the Opera to understand Love Never Dies." The musical is set in 1907, which Lloyd Webber states is "ten years roughly after the end of the original Phantom", although the events of the original actually took place in 1881.
In the show, Christine Daaé is invited by an anonymous impresario to perform at Phantasma, a new attraction on Coney Island. With her husband Raoul and son Gustave in tow, she journeys to Brooklyn, unaware that it is actually "The Phantom" who has arranged her appearance in the popular beach resort.
Although Lloyd Webber began working on Love Never Dies in 1990, it was not until 2007 that he began writing the music. The show opened at the Adelphi Theatre in London's West End on 9 March 2010, with previews from 22 February 2010. It was originally directed by Jack O'Brien and choreographed by Jerry Mitchell, but the show closed for four days in November 2010 for substantial re-writes, which were overseen by Lloyd Webber, and it re-opened with new direction from Bill Kenwright. Set and costume designs were by Bob Crowley. The original London production received mostly negative reviews, but a subsequent Australian production featuring an entirely new design team and heavy revisions was generally better received, although the show finally closed with heavy discounting to tickets. A planned Broadway production, which was to have opened simultaneously with the West End run, was cancelled.
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