*** Welcome to piglix ***

Louder Than Love

Louder Than Love
Soundgarden - Louder than Love.png
Studio album by Soundgarden
Released September 5, 1989 / January 24, 2002
Recorded December 1988 – January 1989
Studio London Bridge Studios, Seattle, Washington
Genre heavy metal
Length 53:15
Language English
Label A&M
Producer Terry Date, Soundgarden
Soundgarden chronology
Ultramega OK
(1988)
Louder Than Love
(1989)
Badmotorfinger
(1991)
Singles from Louder Than Love
  1. "Loud Love"
    Released: August 30, 1989
  2. "Get on the Snake"
    Released: 1989 (promo only)
  3. "Hands All Over"
    Released: 1990
Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars
Robert Christgau (C+)
Rolling Stone 3.5/5 stars

Louder Than Love is the second studio album by the American rock band Soundgarden, released on September 5, 1989 through A&M Records. After touring in support of its first full-length studio album, Ultramega OK (1988), Soundgarden signed with A&M and began work on its first album for a major label. The songs on the album featured a metal-leaning grunge sound with some songs featuring unusual or unorthodox time signatures.

Due to the nature of some of the lyrics, a Parental Advisory sticker was placed on the album packaging. Louder Than Love would become the band's first album to chart on the Billboard 200. The band supported the album with tours of North America and Europe. It was the last Soundgarden album to feature the band's original bassist, Hiro Yamamoto.

The album's recording sessions took place from December 1988 to January 1989 at London Bridge Studios in Seattle, Washington. The band worked with producer Terry Date. The album was mixed by Steve Thompson and Michael Barbiero at both Mediasound, New York, and House of Music, West Orange, New Jersey.

Regarding the sessions, frontman Chris Cornell said, "At the time Hiro [Yamamoto] had excommunicated himself from the band and there wasn't a free-flowing system as far as music went, so I ended up writing a lot of it." Cornell would end up solely writing seven out of the album's twelve tracks. Cornell stated that there "was plenty of angst, anger, frustration and hell...but none of it had anything to do with Terry. He was very supportive." He said that the sessions as a whole were a "positive experience." Bassist Hiro Yamamoto left the band once the sessions were over and went back to college, frustrated that he wasn't contributing much.


...
Wikipedia

...