Lost in the Funhouse
First edition
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| Author | John Barth |
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| Country | USA |
| Language | English |
| Publisher | Doubleday |
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Publication date
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1968 |
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Lost in the Funhouse (1968) is a short story collection by American author John Barth. The postmodern stories are extremely self-conscious and self-reflexive and are considered to exemplify metafiction.
Though Barth's reputation rests mainly on his long novels, the stories "Night-Sea Journey", "Lost in the Funhouse", "Title" and "Life-Story" from Lost in the Funhouse are widely anthologized. The book appeared the year after the publication of Barth's essay The Literature of Exhaustion, in which Barth said that the traditional modes of realistic fiction had been used up, but that this exhaustion itself could be used to inspire a new generation of writers, citing Nabokov, Beckett, and especially Borges as exemplars of this new approach. Lost in the Funhouse took these ideas to an extreme, for which it was both praised and condemned by critics.
Each story can be considered complete in itself, and in fact several of them were published separately before being collected. Barth insists, however, on the serial nature of the stories, and that a unity can be found in them as collected. Barth shows his pessimism in the stories, and says he identifies with "Anonymiad".
When Barth began attending Johns Hopkins University in 1947, he enrolled in one of only two creative writing courses available in the US at the time. He went on to become one of the first full-time professors of creative writing. The stories in Lost in the Funhouse display a professorial concern with fictional form.
Lost in the Funhouse was Barth's first book after the 1967 "The Literature of Exhaustion", an essay in which Barth claimed that the traditional modes of realistic writing had been exhausted and no longer served the contemporary writer, but that the exhaustion of these techniques could be turned into a new source of inspiration. Barth cited a number of contemporary writers, such as Vladimir Nabokov, Samuel Beckett, and especially Jorge Luis Borges, as important examples of this. The essay later came to be seen by some as an early description of postmodernism. Barth has described the stories of Lost in the Funhouse as "mainly late modernist" and "postmodernist".
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