Lost in Space (album)
| Lost in Space | ||||
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| Studio album by Aimee Mann | ||||
| Released | August 27, 2002 | |||
| Recorded | Stampede Origin Studios, Sonora Recorders, Henson Recording Studios, Q Division, Kampo | |||
| Genre | Pop/Rock | |||
| Length | 43:03 | |||
| Label | V2, SuperEgo | |||
| Producer | Mike Denneen, Ryan Freeland, Michael Lockwood | |||
| Aimee Mann chronology | ||||
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| Singles from Lost in Space | ||||
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| Professional ratings | |
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| Aggregate scores | |
| Source | Rating |
| Metacritic | (74/100) |
| Review scores | |
| Source | Rating |
| AllMusic |
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| The A.V. Club | (favorable) |
| Entertainment Weekly | B+ |
| Pitchfork Media | (7.6/10) |
| PopMatters |
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| Robert Christgau | C+ |
| Rolling Stone |
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| Spin | (6/10) |
| Stylus Magazine | B− |
| The Village Voice | (positive) |
Lost in Space is an album by singer-songwriter Aimee Mann, released in 2002 on her own label, SuperEgo Records. A special edition released in 2003 featured a second disc containing six live recordings, two B-sides and two previously unreleased songs.
Mann performed the songs "This Is How It Goes" and "Pavlov's Bell" during a guest appearance on the television show Buffy the Vampire Slayer, in the season seven episode "Sleeper".
"Today's the Day" is featured in the 2002 film Enough.
The cover and accompanying mini-comic were drawn by Canadian cartoonist Seth.
The album so far has a score of 74 out of 100 from Metacritic based on "generally favorable reviews".E! Online gave the album a B+ and stated, "Mann's cranky muse is consistently compelling, showcasing both her wry lyrics and terrific melodies."Uncut gave the album four stars out of five and called it "textured and complex".Blender also gave it four stars out of five and said the album "pushes [Mann] in a new direction."Q likewise gave it four stars and said that Mann has "returned to writing songs which are wry, funny, adult and perceptive, all wrapped up in handsome melodies."Billboard gave it a positive review and called it "sonically rich" and "home to some of Mann's most intimate storytelling." Neumu.net gave it seven stars out of ten and called it "a rare record that simply responds to the quiet masses who maybe feel just a bit to much too often, and offers them a soothing, downbeat source of comfort without preaching or apology."Mojo gave it a positive review and stated: "Michael Lockwood's production occasionally affects a sound akin to a Vonda Sheppard reared on black dreams and Russian literature."
Other reviews are very average or mixed: Trouser Press gave it an average review and said of Mann, "The songs are not as strong overall as on her previous albums, and the tempo neither flags nor picks up over the course of the album." In his The Village Voice Consumer Guide, Robert Christgau gave it a C+ and said of Mann, "For her fans, the news is that she's invested her profits in studio musicians. Takes talent to make that more boring than solo acoustic, no?"Rolling Stone, however, gave it two stars out of five and said, "The tempos and melodies drag throughout; it's as though we've heard Mann sing these songs before, only here her understated passion comes off more like overstated indifference."
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Wikipedia