Looking for Alibrandi (film)
| Looking for Alibrandi | |
|---|---|
| Directed by | Kate Woods |
| Produced by | Robyn Kershaw |
| Written by | Melina Marchetta |
| Starring |
Pia Miranda Kick Gurry Anthony LaPaglia Greta Scacchi Elena Cotta |
| Music by |
Silverchair Killing Heidi |
| Cinematography | Toby Oliver |
| Edited by | Martin Connor |
|
Running time
|
103 minutes |
| Country | Australia |
| Language |
English Italian |
| Budget | $4.5 million |
| Box office | $8,300,000 |
Looking for Alibrandi is a 2000 Australian film directed by Kate Woods from a script by Melina Marchetta based on her novel of the same name. The film is set in 1990s Sydney, New South Wales and features a cast of Australian actors, including Pia Miranda as Josephine Alibrandi, the film's main character; Anthony LaPaglia as her father, Michael Andretti, who left her and her mother before her birth; and Kick Gurry as Josie's love interest, Jacob Coote. The film won the Australian Film Institute Award for Best Film in 2000.
Looking for Alibrandi begins light-heartedly, and the viewer gets a very quick understanding of Josie's character through her interactions with her friends and family. As the film progresses, the glamour that is initially associated with Josie begins to fade as she struggles to cope with her final year of school (especially the racist attitude of one girl in particular, Carly Bishop (Leeanna Walsman)), the suicide of her crush, John Barton (Matthew Newton), and meeting with Michael Andretti (Anthony LaPaglia), her father, of whom has only just found out about her existence upon returning to Sydney for work. She also has continual conflict with her grandmother, Katia Alibrandi (Elena Cotta).
However, these complications are seemingly resolved quickly, in keeping with Josie's brusque and forthright outlook on life. For example, in response to Carly's continuous snide remarks, she breaks her tormentor's nose with a history textbook. It is this summary act that brings her father back into her life.
Another complication—the suicide of her close friend and unrequited crush, John Barton—tests her resilience. Struggling with her grief, she finds comfort to a certain extent within Jacob Coote, he was a 'bad boy' on the outside, but he was found out to be a sincere and caring person on the inside.
The most significant complication and challenge for Josie, though, is her rocky relationship with her father, Michael Andretti. When they finally get to know each other, and recognise themselves in each other, their rift heals, and she can confide in him.
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