Look, Here Come the Wormies / SS Social Service is a split 7" vinyl single with one song each from Victoria, British Columbia punk rock bands Nomeansno and Mass Appeal, artist Ray Carter's (also known as MANDAD) first audio work. The record was independently issued in a limited run in 1980 and has not been re-released. It is the first Nomeansno record and one of two, along with the Betrayal, Fear, Anger, Hatred EP, from the band's home-recording era before they became a live band.

Brothers Rob and John Wright began recording original songs in 1979 on an early TASCAM four-track recorder in their parents' basement, which they called "Subterranean Studios." Although they would later develop their hardcore punk influence, their early songs reflected their interest in musical experimentation and influence from progressive rock, jazz, and new wave. Writing for Trouser Press, critic Ira Robbins described their early recordings as "Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids."

The Wrights recorded the John Wright-penned "Look, Here Come the Wormies", their first song issued as Nomeansno, in Subterranean Studios in March 1980. The track comprised Side A. "S.S. Social Service," a song by Ray Carter's Mass Appeal project, was recorded with John Wright playing drums and Rob Wright playing guitar and issued on Side B. The songs were mastered at Legacy Studios in Victoria.

The bands issued the two songs themselves in a 500-copy split 7" vinyl pressing, funded by Deborah Mitchell and Shirley Blair. The record has never been reprinted, and has become a collector's item. "S.S. Social Service" was included on All Your Ears Can Hear, a 2007 compilation of early Victoria punk bands. "Look, Here Come the Wormies" has never been officially reissued.

The single did not receive press attention during its original release. Retrospectively, Canadian rock journalists Barclay, Jack, and Schnieder wrote that the songs on the single "were a sonic representation of the iconoclastic stance the [Wright] brothers had adopted." Ray Carter said "SS Social Service" was influenced by Public Image Ltd, and specifically bassist Jah Wobble.

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