"Locomotion" | ||||
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Single by Orchestral Manoeuvres in the Dark | ||||
from the album Junk Culture | ||||
B-side | "Her Body in My Soul" "The Avenue" |
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Released | 2 April 1984 | |||
Format | 7" vinyl, 12" vinyl, 3" CD | |||
Recorded |
Air Studios, Montserrat ICP Studios, Brussels Wisseloord Studios, Hilversum |
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Genre | New wave | |||
Length |
3:53 5:22 (Extended Mix) |
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Label | Virgin | |||
Songwriter(s) | Orchestral Manoeuvres in the Dark | |||
Producer(s) | Orchestral Manoeuvres in the Dark and Brian Tench | |||
Orchestral Manoeuvres in the Dark singles chronology | ||||
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Shaped picture disc | ||||
7" picture disc
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"Locomotion" is a song recorded and released by British band Orchestral Manoeuvres in the Dark, and is also the first single taken from their 1984 album, Junk Culture. It was one of the group's biggest European hits, reaching the top five in the UK, Ireland and the Netherlands, and charting at number 14 in Germany.
"Locomotion" has been included in every OMD singles and greatest hits compilation album.
"Locomotion" was recorded in the last week during the sessions at Montserrat before the drums were overdubbed at ICP Studios in Brussels. The original song was combined with a steel drum rhythm that Paul Humphreys had written the previous week and a bass line and piano that Gordian Troeller (the band's manager) contributed. The track was mixed and the brass added at Wisseloord Studios in the Netherlands; the brass arrangements were made by Tony Visconti. The song marries downcast lyrics with upbeat melodies.
Live recordings of "Locomotion" have been issued on the 12" releases of the singles "La Femme Accident" (1985) "If You Leave" (1986) and the second CD single of "Everyday" (1993), as well as on the Architecture & Morality & More and Live in Berlin albums.
"Locomotion", which marked a move toward more pop-oriented material for OMD, faced initial criticism – notably on BBC Radio 1's Round Table show. Conversely, Tom Hibbert of Smash Hits felt the single was a return to form after the commercially unsuccessful Dazzle Ships. He wrote: "Having failed to impress the world with songs about robots in Czechoslovakia, OMD return in a lighter vein [...] with no references whatsoever to genetic engineering. Pleasant."
Critic Dave Thompson praised "Locomotion" in a retrospective review for AllMusic, writing: "[E]verything about this number spells lightness: the breezy melody, the tootling synths, the giddy keyboards, and — best of all — the band's effervescent harmonies."Louder Than War journalist Paul Scott-Bates remarked: "In terms of a pop song, it borders classic – instantly recognisable from the first few seconds, a chorus that everyone knows and verses that were as memorable as choruses."