Live from KCRW | ||||
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Live album by Nick Cave and the Bad Seeds | ||||
Released | 29 November 2013 | |||
Recorded | 18 April 2013Los Angeles, California, US | at Apogee Studio in|||
Genre | Alternative rock | |||
Length | 52:15 | |||
Label | Bad Seed Ltd | |||
Nick Cave and the Bad Seeds chronology | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 77/100 |
Review scores | |
Source | Rating |
AllMusic | |
Drowned in Sound | 8/10 |
Exclaim! | 8/10 |
The Observer | |
The Quietus | Positive |
Pitchfork Media | 7.8/10 |
Live from KCRW is the fourth live album by the Australian alternative rock band Nick Cave and the Bad Seeds. It was released on 29 November 2013 on Bad Seed Ltd. The album features a live radio session recorded for KCRW on 18 April 2013 at Apogee Studio in Los Angeles, California, United States. The session, which featured a stripped-down line-up performing songs from the band's back catalogue and their most recent release, Push the Sky Away (2013), was recorded by Bob Clearmountain.
Live from KCRW was released on CD and double LP, as well as a digital download. The double LP features two exclusive tracks, "Into My Arms" and "God is in the House", which were excluded from previous radio broadcasts of Nick Cave and the Bad Seeds' KCRW session.
Upon its release, Live from KCRW received largely positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 77, based on 14 reviews, indicating "generally favorable reviews".AllMusic reviewer Mark Deming noted that the Bad Seeds were "calling up a palette of sounds that range from the spectral to the majestic, and as they accompany [Nick] Cave on a set of his more contemplative material" and called the material "impressive, especially given the one-take nature of the recording." He rated the album three-and-a-half out of five stars. Writing for Drowned in Sound, Matthew Slaughter described how "Cave the balladeer remains a beast, but a beautiful one … every quiver and every declamation reaches deep inside the ear drum, then rests there." Slaughter added that "it's easy to savour Warren Ellis' tenor guitar scrapes, Jim Sclavunos' simple, effective percussion, Martyn Casey's precise, humming bass and Barry Adamson's ominous organ … as they punctuate the often confused poetry", awarding the album an eight out of ten rating.