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Live at Keystone

Live at Keystone
Posed photo of Merl Saunders and Jerry Garcia by Annie Leibovitz
Live album by Merl Saunders, Jerry Garcia, John Kahn, Bill Vitt
Released 1973
Recorded July 10 – 11, 1973
Genre Rock, jazz-rock, rhythm and blues
Label Fantasy
Producer Merl Saunders, Jerry Garcia, John Kahn, Bill Vitt
Merl Saunders and Jerry Garcia chronology
Fire Up
(1973)
Live at Keystone
(1973)
Keystone Encores
(1988)
Merl Saunders chronology
Fire Up
(1973)
Live at Keystone
(1973)
Merl Saunders
(1974)
Jerry Garcia chronology
Garcia
(1972)
Live at Keystone
(1973)
Compliments
(1974)
Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars

Live at Keystone is an album by Merl Saunders, Jerry Garcia, John Kahn, and Bill Vitt. It was recorded live at the Keystone in Berkeley, California on July 10 and 11, 1973, and released later that year as a two-disc vinyl LP. It was re-released in 1988, with additional tracks, as two separate CDs, called Live at Keystone Volume I and Live at Keystone Volume II.

From February 1971 to July 1975, Merl Saunders and Jerry Garcia often played live shows together when the Grateful Dead were not on tour. For many of those concerts, their band had the lineup featured on this album — Saunders on keyboards, Garcia on guitar and vocals, John Kahn on bass, and Bill Vitt on drums. One track of Live at Keystone, "Positively 4th Street", also includes David Grisman on mandolin.

On Allmusic, Lindsay Planer wrote, "... let the music speak for itself as Live at Keystone is chocked with inspired covers, each respectively extended and collectively improvised by co-instrumental leads Jerry Garcia (guitar/vocals) and Merl Saunders (organ) with Bill Vitt (drums) and John Kahn (bass). This was an ad-hoc configuration, as opposed to the organized touring unit that Garcia developed as the Jerry Garcia Band. From December of 1970 until the spring of 1974 — prior to the combo evolving into the Legion of Mary — the guitarist could often be found performing sporadically in and around San Francisco between engagements with the Grateful Dead. The quartet ably fuse rock with jazz in their spacy unfettered jams. These emerge from an eclectic composite of R&B and blues to seminal rock oldies and even popular standards."


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