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Live Plus One

Live Plus One
All - Live Plus One cover.jpg
Live album by All and the Descendents
Released August 21, 2001 (2001-08-21)
Recorded
  • October 10–14, 1996 (Descendents)
  • March 30 and 31, 2001 (All)
Venue
Studio The Blasting Room, Fort Collins, Colorado
Genre Punk rock
Length 91:36
Label Epitaph (E-86618)
Producer Bill Stevenson, Stephen Egerton, Jason Livermore
All chronology
Problematic
(2000)Problematic2000
Live Plus One
(2001)
Descendents chronology
Sessions
(1997) Sessions1997
Live Plus One
(2001) Live Plus One2001
'Merican
(2004) 'Merican2004

Live Plus One is a live album by the American punk rock bands All and the Descendents, released in 2001 through Epitaph Records. A double album, it includes one disc by All recorded in 2001 on their Problematic tour, and a second disc by the Descendents recorded in 1996 on their Everything Sucks tour. The two bands are composed of the same musicians—bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson—but have different lead singers: Chad Price for All and Milo Aukerman for the Descendents. Live Plus One reached #45 on Billboard's Top Independent Albums chart, making it the only All release and the second Descendents release ever to chart.

In 1987 singer Milo Aukerman left the Descendents to pursue a career in biochemistry. The remaining members—bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson—changed the band's name to All, releasing eight albums between 1988 and 1995 with singers Dave Smalley, Scott Reynolds, and Chad Price. In 1995 Aukerman expressed a desire to return to recording and performing, so the band members decided to work with him as the Descendents while continuing to work with Price as All, and both bands signed to Epitaph Records. The Descendents released Everything Sucks in 1996, supporting it with a series of tours from September 1996 to August 1997. The recordings used for Live Plus One were taken from a five-night stand at the Whisky a Go Go in Los Angeles from October 10–14, 1996. The live recording was engineered by Brett Gurewitz, the head of Epitaph Records and a member of Bad Religion.


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