Lisztomania (film)
| Lisztomania | |
|---|---|
Promotional poster for Lisztomania
|
|
| Directed by | Ken Russell |
| Produced by | Roy Baird David Puttnam |
| Written by | Ken Russell |
| Starring |
Roger Daltrey Sara Kestelman Paul Nicholas Ringo Starr Rick Wakeman |
| Music by | Rick Wakeman Franz Liszt Richard Wagner |
| Cinematography | Peter Suschitzky |
| Edited by | Stuart Baird |
|
Production
company |
|
| Distributed by | Warner Bros. |
|
Release date
|
10 October 1975 |
|
Running time
|
103 min. |
| Country | United Kingdom |
| Language | English |
| Budget | £1.2 million |
Lisztomania is a 1975 film by Ken Russell about the nineteenth century composer Franz Liszt. The screenplay is derived, in part, from a "kiss-and-tell" book, Nélida by Marie d'Agoult (1848), about her affair with Liszt.
Depicting the flamboyant Liszt as the first classical pop star, Lisztomania features contemporary rock star Roger Daltrey (of The Who) as Franz Liszt. The film was released the same year as Tommy, which also starred Daltrey and was directed by Russell. Rick Wakeman, from the progressive rock band Yes, composed the Lisztomania soundtrack, which included synthesiser arrangements of works by Liszt and Wagner. He also appears in the film as the Nordic god of thunder, Thor. Daltrey and Russell wrote the lyrics for the soundtrack, and Daltrey provided vocals. Of the other rock celebrities appearing in the film, Ringo Starr, drummer of The Beatles, appears as the Pope.
The term "Lisztomania" was coined by the German romantic literary figure Heinrich Heine to describe the massive public response to Liszt's virtuosic piano performances. At these performances, there were allegedly screaming women, and the audience was sometimes limited to standing room only.
This film was first to use the new Dolby Stereo sound system.
Rather than presenting a straightforward narrative, the film tells of Liszt's life through a series of surrealistic episodes blending fact and fantasy, and full of anachronistic elements. At the start of the film, Liszt is caught in bed with Marie d'Agoult by her husband the Count d'Agoult. The Count challenges Liszt to a fight with sabres but Marie begs the count to let her share Liszt's fate. The Count then orders his staff to trap Liszt and Marie into the body of a piano, nailing it shut, and then leaving it on railroad tracks.
...
Wikipedia