Lilith Fair

Lilith Fair was a concert tour and travelling music festival, founded by Canadian musician Sarah McLachlan, Nettwerk Music Group's Dan Fraser and Terry McBride, and New York talent agent Marty Diamond. It took place during the summers of 1997 to 1999, and was revived in the summer of 2010. It consisted solely of female solo artists and female-led bands. In its initial three years, Lilith Fair raised over $10M for charity.

In 1996, Canadian Sarah McLachlan became frustrated with concert promoters and radio stations that refused to feature two female musicians in a row. Bucking conventional industry wisdom, she booked a successful tour for herself and Paula Cole. At least one of their appearances together — in McLachlan's home town, on September 14, 1996 — went by the name "Lilith Fair" and included performances by McLachlan, Cole, Lisa Loeb and Michelle McAdorey, formerly of Crash Vegas.

The next year, McLachlan founded the Lilith Fair tour, taking Lilith from the medieval Jewish legend that Lilith was Adam's first wife.

In 1997, Lilith Fair garnered a $16 million gross, making it the top-grossing of any touring festival. Among all concert tours for that year, it was the 16th highest grossing.

In 2010, Lilith Fair staged a revival with mixed results, as several dates were canceled and many performers backed out of scheduled performances.

In March 2011, co-founder Sarah McLachlan declared that the Lilith concept was no longer being considered for future shows, due to changing audience views and expectations.

The artists appearing at Lilith Fair varied by date (with McLachlan and Suzanne Vega the only artists to play all dates). Appearances were organized into three stages. Almost all Village Stage artists performed only one or two dates. Many of them won slots on the bill in a series of local talent searches in their home cities.

The artists appearing at Lilith Fair varied by date (with McLachlan the only artist to play all dates). Appearances were organized into three stages. Almost all Village Stage artists performed only one or two dates. Many of them won slots on the bill in a series of local talent searches in their home cities.

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