Lifecasting (video stream)

Lifecasting is a continual broadcast of events in a person's life through digital media. Typically, lifecasting is transmitted through the medium of the Internet and can involve wearable technology. Lifecasting reverses the concept of surveillance, giving rise to sousveillance through portability, personal experience capture, daily routines and interactive communication with viewers.

Originally being called lifelogging or lifestreaming, during the summer of 2007, Justin Kan's term lifecasting escalated into general usage and became the accepted label of the movement. Other labels for lifecasting and related have occasionally surfaced, including cyborglog, glog, lifeblog, lifeglob, livecasting and wearcam.

Author William Gibson featured "God's Little Toy," a lifecasting mini-blimp, that followed subjects around—for their lives—in his 1999 novel All Tomorrow's Parties.

Jean-Luc Godard said, "Cinema is not a dream or a fantasy. It is life." In the pre-history of the lifecasting movement, the introduction of lightweight, portable cameras during the early 1960s, as used in the Cinéma vérité and Direct cinema movements, changed the nature of documentary filmmaking. Technological improvements in audio and the invention of smaller, less intrusive cameras brought about more naturalistic situations in documentary films by Robert Drew, Richard Leacock, the Maysles Brothers and others. While filmmakers such as Michel Auder, Jonas Mekas and Ed Pincus created cinematic diaries, the sculptor Claes Oldenburg, in the early 1960s, had theatrical showings of his home movies. Andy Warhol, who once said, "I like boring things," introduced the notion that life could be captured simply by aiming a fixed camera at subjects usually regarded as "boring" and later projecting the unedited footage. The documentary filmmaker Emile de Antonio observed that “with any cut at all, objectivity fades away.”

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