Life, or Something Like It
| Life or Something Like It | |
|---|---|
Theatrical release poster
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| Directed by | Stephen Herek |
| Produced by |
John Davis Arnon Milchan Toby Jaffe Chi-Li Wong |
| Written by | John Scott Shepherd Dana Stevens |
| Starring |
Angelina Jolie Edward Burns |
| Music by | David Newman |
| Cinematography | Stephen H. Burum |
| Edited by | Trudy Ship |
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Production
company |
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| Distributed by | 20th Century Fox |
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Release date
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April 26, 2002 |
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Running time
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103 minutes |
| Country | United States |
| Language | English |
| Budget | $40 million |
| Box office | $16,872,671 |
Life or Something Like It is a 2002 romantic comedy/drama film directed by Stephen Herek. The film focuses on television reporter Lanie Kerrigan (Angelina Jolie) and her quest to find meaning in her life. The original music score was composed by David Newman. The film's taglines are: "Destiny is what you make of it" and "What if you had only 7 days to live?"
Lanie Kerrigan (Angelina Jolie), a successful reporter for a Seattle television station, interviews a self-proclaimed prophet, Jack (Tony Shalhoub), to find out if he really can predict football scores. Instead, Prophet Jack not only predicts the football score, and that it would hail the next day, but also that she would die in seven days, meaning the following Thursday. When his first two prophecies turn out to be correct, Kerrigan panics and again meets with Jack, asking him for another prophecy so that she can prove it wrong, which would imply uncertainty of her death. Jack tells her that there will be a relatively significant earthquake in San Francisco at 9:06 am; she hopes that it will be wrong but again it also becomes reality. Now Lanie becomes sure of her upcoming death and is forced to reevaluate her life.
The remainder of the storyline - which runs for the week of the prophecy - revolves around her attempts at introspection. She seeks consolation in her famous baseball player boyfriend Cal Cooper (Christian Kane), and in her family, but finds little there. Her lifelong ambition, that of appearing on network television, begins to look like a distant dream. In her desperation, she commits professional blunders, but ends up finding support in an unlikely source: her archenemy, the cameraman Pete Scanlon (Edward Burns), with whom she once had casual sex. He introduces her to a new approach to life; to live every moment of her life and to do whatever she always wanted to do.
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