Liberator (album)
| Liberator | ||||
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| Studio album by Orchestral Manoeuvres in the Dark | ||||
| Released | 14 June 1993 | |||
| Recorded | The Pink Museum and The Ministry in Liverpool | |||
| Genre | Dance-pop, synthpop | |||
| Length | 49:02 | |||
| Label | Virgin | |||
| Producer | Andy McCluskey, Phil Coxon and Barry White | |||
| Orchestral Manoeuvres in the Dark chronology | ||||
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| Singles from Liberator | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Colin Larkin | |
| Trouser Press | (mixed) |
Liberator is the ninth album by Orchestral Manoeuvres in the Dark, released in 1993. It peaked at No. 14 on the UK Albums Chart.
None of the album's three singles cracked the Top 20 of the UK Singles Chart, although lead single "Stand Above Me", and follow-up "Dream of Me" did make No. 21 and No. 24 respectively. OMD co-founder Paul Humphreys, who had left the group in 1989, co-wrote third single "Everyday" (a No. 59 UK chart entry).
Frontman Andy McCluskey had originally been influenced by World War II aircraft, the B-24 Liberator in particular. The cover art originally featured a variation of the "bomber girl" nose cone art that many of them used.
"Sunday Morning" is a cover version of the song originally recorded by The Velvet Underground. "Dream of Me (Based On "Loves Theme")" takes a sample from the instrumental hit, "Love's Theme", originally released in 1973 by The Love Unlimited Orchestra.
"Heaven Is" was first performed by OMD during their showcase tour in late 1983, prior to the release of the Junk Culture album the next year (along with other new songs such as "Tesla Girls", "Never Turn Away", and the title track). "Heaven Is" however did not make the album and was shelved (it also nearly made 1986's The Pacific Age) until the publication of this re-recorded version which contains some lyrical variations such as the name of the pornographic actress Christy Canyon as opposed to newsreader Selina Scott in the 1983 version. A demo version of the original was finally released in 2015, as a bonus track on the deluxe edition of Junk Culture.
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