Leverage connection

In partner dancing, connection is a physical communication method used by a pair of dancers to facilitate synchronized dance movement, in which one dancer (the "lead") directs the movements of the other dancer (the "follower") by means of non-verbal directions conveyed through a physical connection between the dancers. It is an essential technique in many types of partner dancing and is used extensively in partner dances that feature significant physical contact between the dancers, including the Argentine Tango, Lindy Hop, Balboa, East Coast Swing, West Coast Swing, Salsa, and Modern Jive.

Other forms of communication, such as visual cues or spoken cues, sometimes aid in connecting with one's partner, but are often used in specific circumstances (e.g., practicing figures, or figures which are purposely danced without physical connection). Connection can be used to transmit power and energy as well as information and signals; some dance forms (and some dancers) primarily emphasize power or signaling, but most are probably a mixture of both.

Following and leading in a partner dance is accomplished by maintaining a physical connection called the frame that allows the leader to transmit body movement to the follower, and for the follower to suggest ideas to the leader. A frame is a stable structural combination of both bodies maintained through the dancers' arms and/or legs.

Connection occurs in both open and closed dance positions (also called "open frame" and "closed frame").

In closed position with body contact, connection is achieved by maintaining the frame. The follower moves to match the leader, maintaining the pressure between the two bodies as well as the position.

When creating frame, tension is the primary means of establishing communication. Changes in tension are made to create rhythmic variations in moves and movements, and are communicated through points of contact. In an open position or a closed position without body contact, the hands and arms alone provide the connection, which may be one of three forms: tension, compression or neutral.

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