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Letters From the Labyrinth

Letters from the Labyrinth
Letters From the Labyrinth.jpg
Studio album by Trans-Siberian Orchestra
Released November 13, 2015
Recorded 2012–2014
Genre Symphonic metal, progressive metal, neoclassical metal
Length 52:08
Label Republic Records
Producer Paul O'Neill, Dave Wittman
Trans-Siberian Orchestra chronology
Tales of Winter: Selections from the TSO Rock Operas
(2013)
Letters from the Labyrinth
(2015)
Professional ratings
Review scores
Source Rating
CCM Magazine 4/5 stars
Omaha World-Herald 2/4 stars
Grande Rock 4.5/10 stars

Letters From the Labyrinth is the sixth album by the Trans-Siberian Orchestra. It is the band's sixth studio album. It was released on November 13, 2015. Unlike TSO's previous five albums, Letters from the Labyrinth is not a rock opera, but rather a collection of songs on various subjects including bullying, banking, and the Berlin Wall. The album reached #7 on the Billboard 200 album chart and #1 on the Billboard Top Rock Albums chart.This album was the last for Paul O'Neill until his death in April 2017.


Awarding the album four stars at CCM Magazine, Matt Conner states, "Indeed, it’s a tall order to educate, enlighten and entertain all at the same time, but TSO effortlessly passes the test, and in the process, turns in one of its most ambitious and gratifying works to date." Kevin Coffey, giving the album two stars out of four from Omaha World-Herald, writes, "It’s amazing and technical playing that’s sure to impress any fan of precise progressive rock. But it’s also a little tedious. All those ever-present solos and precise melodies kind of blend together song after song. And I question why studio recordings would have so many synthesizers replicating strings and grand pianos when surely, with this band as successful as it is, they could have used real musicians. According to the liner notes, they did, but it’s hard to pick out the real players from the synthesized sections. The best performance on the record comes from Halestorm lead singer Lzzy Hale, who sings on a version of “Forget About the Blame.” Unfortunately, her talents are wasted on an extremely repetitive metal ballad. Your enjoyment of this album will probably depend on your overall enjoyment of the band in general...If you dig their rock opera style and hair metal music, you’ll be into this...But don’t buy this looking for another Christmas favorite." Rockavlon awarded the album 4.5 stars out of 10 from Grande-Rock.com, writes, "A half-baked attempt at music theater by stitching together a lot of classical pieces and writing some rather uneventful in between parts to create a semblance of a plot… I’d rather listen to the original classics."


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Wikipedia

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