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Let Me Down Easy (Bettye LaVette song)

"Let Me Down Easy"
Single by Bettye LaVette
B-side "What I Don't Know (Won't Hurt Me)"
Released 1965
Genre Soul, R&B
Length 2:50
Label Calla
Songwriter(s) Wrecia Holloway
Producer(s) Don Gardner
Bettye LaVette singles chronology
"Witchcraft in the Air"
(1963)
"Let Me Down Easy"
(1965)
"I Feel Good All Over"
(1965)
"Witchcraft in the Air"
(1963)
"'Let Me Down Easy'"
(1965)
"I Feel Good All Over"
(1965)

"'Let Me Down Easy'" is a 1965 song recorded by American soul singer Bettye LaVette. Written by Dee Dee Ford (using her birth name, Wrecia Holloway) and released by Calla Records, the song peaked at number 20 on the Billboard Hot Rhythm and Blues Singles chart.

Dee Dee Ford, a singer who teamed up with Don Gardner on the top-20 single "I Need Your Lovin'" in 1962, wrote "Let Me Down Easy" three years later using her real name Wrecia Holloway. The song, a torch ballad, was performed by Bettye LaVette, arranged by Dale Warren, and produced by Gardner. New York independent label Calla Records released the track as a single and it reached number 20 on the Billboard Hot Rhythm and Blues Singles chart. LaVette performed it on a 1965 episode of Shindig! and on the 2012/13 Hootenanny show presented by Jools Holland.

A 1965 Billboard review of "Let Me Down Easy" complimented the song's "driving beat" and LaVette's "outstanding wailing vocal performance." In 2006, music journalist Bill Friskics-Warren described it as "a gloriously anguished record aggravated by nagging syncopation, astringent strings, and a stinging blues guitar break".Ladies of Soul author David Freeland wrote that "the record featured her most soulful performance to date–miles away from the youthful impetuosity of 'My Man', recorded just three years earlier. The fade, in which she repeatedly shouted 'Please! Please!' was particularly effective." Freeland added that the song highlighted LaVette's "blistering intensity modulated by moments of deep, heartfelt reflection."Allmusic's Jason Ankeny remarked that the song is "a staple of the Northern soul scene and the countless anthologies it's yielded", and said it is LaVette's "masterpiece, a blisteringly poignant requiem for romance gone bad distinguished by its unique, tangolike rhythm and sweeping string arrangement." Holly Gleason of Relix called it a "seminal" song "which many consider to be one of the great soul sides of all time". In a 2013 Metro Times article, writer Brett Callwood said of the song: "LaVette’s voice soars one minute and purrs the next, each word practically dripping off her tongue. Performed live, the song sounds better today than it ever did".


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