Let's Make It Legal | |
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![]() Original film poster
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Directed by | Richard Sale |
Produced by | Robert Bassler |
Screenplay by |
I.A.L. Diamond F. Hugh Herbert |
Based on | A story by Mortimer Braus |
Starring |
Claudette Colbert Macdonald Carey Zachary Scott Barbara Bates |
Music by |
Cyril J. Mockridge Lionel Newman |
Cinematography | Lucien Ballard |
Edited by | Robert Fritch |
Production
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Distributed by | Twentieth Century Fox |
Release date
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Running time
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77 minutes |
Country | United States |
Language | English |
Box office | $1.25 million (US rentals) |
Let's Make It Legal is a 1951 American comedy film made by Twentieth Century-Fox, directed by Richard Sale and produced by Robert Bassler from a screenplay by I.A.L. Diamond and F. Hugh Herbert, based on a story by Mortimer Braus entitled "My Mother-in-Law, Miriam". The music was by Cyril J. Mockridge and the cinematography by Lucien Ballard.
The film stars Claudette Colbert, Macdonald Carey, Zachary Scott, Barbara Bates, and Marilyn Monroe.
Hugh (Macdonald Carey) and Miriam Halsworth (Claudette Colbert) are in the final stages of their divorce procedure. Miriam wants to separate because he's addicted to gambling - although he often wins. She's living with her daughter Barbara (Barbara Bates), her son-in-law Jerry Denham (Robert Wagner) and her little grandchild. Hugh, who's living at the hotel where he works, makes a fuss with the gardener about his rosebushes.
Hugh is also Jerry's boss. They work in the publicity department for the Miramar Hotel and have to follow Victor Macfarland (Zachary Scott), a self-made millionaire who's trying to get on the financial advisory committee for the President. Twenty years ago Hugh and Victor were rivals for Miriam's hand.
A blonde fortune hunter, Joyce Mannering (Marilyn Monroe), is trying to attract Victor, but he's only interested in winning back Miriam. She accepts his marriage proposal, but is disappointed when he postpones the marriage for a hearing on his appointment in Washington. Just before he steps on the plane he explains to Miriam why he left her twenty years ago (but the audience can't hear what he says because the plane makes too much noise).