Les Châtiments ("Castigations") is a collection of poems by Victor Hugo that fiercely attack the grandeur of Napoléon III's Second Empire.
Louis-Napoléon had previously made unsuccessful attempts to gain power, leading to his exile in London. His final attempt resulted in a coup d'état on 2 December 1851. French guards opened fire on a group of protesters, causing several deaths. This did little to help achieve the reputation that Louis-Napoléon had hoped for. In addition to this, he proceeded to change the constitutional laws governing the length of time that an emperor could rule.
Hugo's sympathies lay with the working classes,and he was appalled by what he saw as a willingness to kill in order to gain power. Viewed as the voice of the masses in France, Hugo used his substantial influence to gather support against Louis-Napoléon. His contempt was best illustrated in a speech delivered to the Académie française, where he declared, "Quoi? Après Augustus, nous avons Augustule!" This is a reference to the Roman emperor Augustus, and the suffix -ule derives from a Latin diminutive, indicating an object or person that is smaller in stature. This deliberately antagonistic declaration encapsulates Hugo's view: Louis-Napoléon was far removed from the great military leader that his uncle, Napoleon Bonaparte, had been.
In addition, Louis-Napoléon's legitimacy was also brought into question. Rumours abounded (although none was ever proven) that he was an illegitimate child — a product of one of his mother's numerous affairs — and therefore could claim no right to his title. Hugo seizes on this in an attempt to discredit his position and title.
His vociferous condemnation of Louis-Napoléon as a traitor, usurper and dictator put Hugo and his family in danger . Realising this, Hugo fled his beloved France, vowing never to return until a new order was installed. After stopping in Brussels and then Jersey, Hugo settled with his family in Guernsey and remained there until 1870. Despite the distance from his readership, Hugo's influence remained strong and the years in exile produced a flurry of literary activity.